E-text prepared by Chuck Greif and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from scanned images of public domain material generously made available by the Google Books Library Project (http://books.google.com/) Note: Images of the original pages are available through the the Google Books Library Project. See http://books.google.com/books?vid=MCYnAAAAMAAJ&id THE GOLD SICKLE Or Hena, The Virgin of The Isle of Sen A Tale of Druid Gaul by EUGENE SUE Translated from the Original French by Daniel De Leon New York Labor News Company, 1904 Copyright, 1904, by the New York Labor News Company TRANSLATOR'S PREFACE _The Gold Sickle; or, Hena the Virgin of the Isle of Sen_, is the initial story of the series that Eugene Sue wrote under the collective title of _The Mysteries of the People; or, History of a Proletarian Family Across the Ages_. The scheme of this great work of Sue's was stupendously ambitious--and the author did not fall below the ideal that he pursued. His was the purpose of producing a comprehensive "universal history," dating from the beginning of the present era down to his own days. But the history that he proposed to sketch was not to be a work for closet study. It was to be a companion in the stream of actual, every-day life and struggle, with an eye especially to the successive struggles of the successively ruled with the successively ruling classes. In the execution of his design, Sue conceived a plan that was as brilliant as it was poetic--withal profoundly philosophic. One family, the descendants of a Gallic chief named Joel, typifies the oppressed; one family, the descendants of a Frankish chief and conqueror named Neroweg, typifies the oppressor; and across and adown the ages, the successive struggles between oppressors and oppressed--the history of civilization--is thus represented in a majestic allegory. In the execution of this superb plan a thread was necessary to connect the several epochs with one another, to preserve the continuity requisite for historic accuracy, and, above all, to give unity and point to the silent lesson taught by the unfolding drama. Sue solved the problem by an ingenious scheme--a series of stories, supposedly written from age to age, sometimes at shorter, other times at longer intervals, by the descendants of the ancestral type of the oppressed, narrating their special experience and handing the supplemented chronicle down to their successors from generation to generation, always accompanied with some emblematic relic, that constitutes the first name of each story. The series, accordingly, though a work presented in the garb of "fiction," is the best universal history extant: Better than any work, avowedly on history, it graphically traces the special features of class-rule as they have succeeded one another from epoch to epoch, together with the special character of the struggle between the contending classes. The "Law,"