Springfield (Ill.) -- Fiction; Springfield (Ill.) -- In literature; Utopias in literature
There is deep darkness again, and sleep, and when next I awake I am in
the midst of a terrible March rain, and I run for refuge into Dodds’
Drug Store. It is the old Fifth and Monroe corner. I buy the early
afternoon _Register_ from a bawling newsboy. It is dated March first,
2018. Soon the storm abates a little, but it is a freezing, thawing,
wind-whistling, late afternoon. It is dusk, and I am walking South on
what was once Third Street, but is now Mulberry Boulevard, with the
Chicago and Alton railroad long gone. And I am with that girl who
awakened me, Avanel Boone, and there is no poetry about it at all. It is
obvious by the air with which she takes possession of me and hustles me
down that rain and sleet-scourged avenue, that she considers herself the
heroine of my story. But dear me, what stubborn material for a heroine.
Here, after a century, woman is the same she always was.
To put it in restrained phrases she is, in her disposition, like the
weather. She scolds me for the unpressed state of my clothes, and my
mussed hair, and my lack of air of distinction. She says I have slept in
my clothes so much that they are in a perfectly abused condition.
I admit that I have not consulted a tailor for some little time. She
says I carry myself as though I were a ditch digger or were following
the plough, instead of walking with a lady. She lashes me for what she
alleges are my ridiculous ideas, and goes over the catalogue till it is
impossible to enjoy the panorama that I glimpse through the bracing
sleet and rain, and I scarcely care to look at her, the little
devil,—though she is to be my heroine.
The only flattering thing about the encounter is the air of settled
proprietorship of this young lady.
At length there is silence and I chase along meekly beside her under the
umbrella, and cool down, and do her the honor to look her over as well
as I can in the storm. Her face is half hidden by her flapping
waterproof cape and we are walking under tremendous shade trees. I note
her chin quite high in the air, her spirited profile set straight
forward, and her cheeks, with color that goes like a blown-out flame and
then comes again like a heart-beat.
Public-domain text, read in full here on John Shaqi.
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