The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)Frazer, James George
Religion
The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)
Frazer, James George
Magic; Mythology; Religion; Superstition
But perhaps, for our purpose, the most instructive of these mimic
executions is the following Bohemian one, which has been in part described
already.(820) In some places of the Pilsen district (Bohemia) on
Whit-Monday the King is dressed in bark, ornamented with flowers and
ribbons; he wears a crown of gilt paper and rides a horse, which is also
decked with flowers. Attended by a judge, an executioner and other
characters, and followed by a train of soldiers, all mounted, he rides to
the village square, where a hut or arbour of green boughs has been erected
under the May-trees, which are firs, freshly cut, peeled to the top, and
dressed with flowers and ribbons. After the dames and maidens of the
village have been criticised and a frog beheaded, in the way already
described, the cavalcade rides to a place previously determined upon, in a
straight, broad street. Here they draw up in two lines and the King takes
to flight. He is given a short start and rides off at full speed, pursued
by the whole troop. If they fail to catch him he remains King for another
year, and his companions must pay his score at the alehouse in the
evening. But if they overtake and catch him he is scourged with hazel rods
or beaten with the wooden swords and compelled to dismount. Then the
executioner asks, “Shall I behead this King?” The answer is given, “Behead
him;” the executioner brandishes his axe, and with the words, “One, two,
three, let the King headless be!” he strikes off the King’s crown. Amid
the loud cries of the bystanders the King sinks to the ground; then he is
laid on a bier and carried to the nearest farmhouse.(821)
In the personages who are thus slain in mimicry it is impossible not to
recognise representatives of the tree-spirit or spirit of vegetation, as
he is supposed to manifest himself in spring. The bark, leaves, and
flowers in which the actors are dressed, and the season of the year at
which they appear, show that they belong to the same class as the Grass
King, King of the May, Jack-in-the-Green, and other representatives of the
vernal spirit of vegetation which we examined in the first chapter. As if
to remove any possible doubt on this head, we find that in two cases(822)
these slain men are brought into direct connection with May-trees, which
are (as we have seen) the impersonal, as the May King, Grass King, etc.,
are the personal representatives of the tree-spirit. The drenching of the
_Pfingstl_ with water and his wading up to the middle into the brook are,
therefore, no doubt rain-charms like those which have been already
described.(823)
Public-domain text, read in full here on John Shaqi.
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