The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)Frazer, James George
Religion
The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)
Frazer, James George
Magic; Mythology; Religion; Superstition
It seems hardly possible to separate from the May-trees the trees or
branches which are brought into the village after the destruction of the
Death. The bearers who bring them in profess to be bringing in the
Summer;(882) therefore the trees obviously represent the Summer; and the
doll which is sometimes attached to the Summer-tree is a duplicate
representative of the Summer, just as the May is sometimes represented at
the same time by a May-tree and a May Lady.(883) Further, the Summer-trees
are adorned like May-trees with ribbons, etc.; like May-trees, when large,
they are planted in the ground and climbed up; and like May-trees, when
small, they are carried from door to door by boys or girls singing songs
and collecting money.(884) And as if to demonstrate the identity of the
two sets of customs the bearers of the Summer-tree sometimes announce that
they are bringing in the Summer and the May.(885) The customs, therefore,
of bringing in the May and bringing in the Summer are essentially the
same; and the Summer-tree is merely another form of the May-tree, the only
distinction (besides that of name) being in the time at which they are
respectively brought in; for while the May-tree is usually fetched in on
the 1st of May or at Whitsuntide, the Summer-tree is fetched in on the
Fourth Sunday in Lent. Therefore, if the explanation here adopted of the
May-tree (namely, that it is an embodiment of the tree-spirit or spirit of
vegetation) is correct, the Summer-tree must likewise be an embodiment of
the tree-spirit or spirit of vegetation. But we have seen that the
Summer-tree is in some cases a revivification of the effigy of Death. It
follows, therefore, that in these cases the effigy called Death must be an
embodiment of the tree-spirit or spirit of vegetation. This inference is
confirmed, first, by the vivifying and fertilising influence which the
fragments of the effigy of Death are believed to exercise both on
vegetable and on animal life;(886) for this influence, as we saw in the
first chapter, is supposed to be a special attribute of the tree-spirit.
It is confirmed, secondly, by observing that the effigy of Death is
sometimes composed of birchen twigs, of the branch of a beech-tree, of a
threshed-out corn-sheaf, or of hemp;(887) and that sometimes it is hung on
a little tree and so carried about by girls collecting money,(888) just as
is done with the May-tree and the May Lady, and with the Summer-tree and
the doll attached to it. In short we are driven to regard the expulsion of
Death and the bringing in of Summer as, in some cases at least, merely
another form of that death and resuscitation of the spirit of vegetation
in spring which we saw enacted in the killing and resurrection of the Wild
Man.(889) The burial and resurrection of the Carnival is probably another
way of expressing the same idea. The burying of the representative of the
Carnival under a dung-heap is natural, if he is supposed to possess a
Public-domain text, read in full here on John Shaqi.
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