The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)Frazer, James George
Religion
The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)
Frazer, James George
Magic; Mythology; Religion; Superstition
one foot.(1256) Thus when the corn-spirit is conceived as a being who is
robbed of his store and impoverished by the harvesters, it is natural that
his representative—the passing stranger—should upbraid them; and it is
equally natural that they should seek to disable him from pursuing them
and recapturing the stolen property. Now, it is an old superstition that
by easing nature on the spot where a robbery is committed, the robbers
secure themselves, for a certain time, against interruption.(1257) The
fact, therefore, that the madder-diggers resort to this proceeding in
presence of the stranger proves that they consider themselves robbers and
him as the person robbed. Regarded as such, he must be the natural owner
of the madder-roots; that is, their spirit or demon; and this conception
is carried out by burying him, like the madder-roots, in the ground.(1258)
The Greeks, it may be observed, were quite familiar with the idea that a
passing stranger may be a god. Homer says that the gods in the likeness of
foreigners roam up and down cities.(1259)
Thus in these harvest-customs of modern Europe the person who cuts, binds,
or threshes the last corn is treated as an embodiment of the corn-spirit
by being wrapt up in sheaves, killed in mimicry by agricultural
implements, and thrown into the water.(1260) These coincidences with the
Lityerses story seem to prove that the latter is a genuine description of
an old Phrygian harvest-custom. But since in the modern parallels the
killing of the personal representative of the corn-spirit is necessarily
omitted or at most enacted only in mimicry, it is necessary to show that
in rude society human beings have been commonly killed as an agricultural
ceremony to promote the fertility of the fields. The following examples
will make this plain.
Public-domain text, read in full here on John Shaqi.
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