The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)Frazer, James George
Religion
The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)
Frazer, James George
Magic; Mythology; Religion; Superstition
Viewed in the light of what has gone before, the awakening of the forsaken
sleeper in these ceremonies probably represents the revival of vegetation
in spring. But it is not easy to assign their respective rôles to the
forsaken bridegroom and to the girl who wakes him from his slumber. Is the
sleeper the leafless forest or the bare earth of winter? Is the girl who
wakens him the fresh verdure or the genial sunshine of spring? It is
hardly possible, on the evidence before us, to answer these questions. The
Oraons of Bengal, it may be remembered, celebrate the marriage of earth in
the springtime, when the sál-tree is in blossom. But from this we can
hardly argue that in the European ceremonies the sleeping bridegroom is
“the dreaming earth” and the girl the spring blossoms.
In the Highlands of Scotland the revival of vegetation in spring used to
be graphically represented as follows. On Candlemas day (2d February) in
the Hebrides “the mistress and servants of each family take a sheaf of
oats, and dress it up in women’s apparel, put it in a large basket, and
lay a wooden club by it, and this they call Brüd’s bed; and then the
mistress and servants cry three times, Brüd is come, Brüd is welcome. This
they do just before going to bed, and when they rise in the morning they
look among the ashes, expecting to see the impression of Brüd’s club
there; which if they do they reckon it a true presage of a good crop and
prosperous year, and the contrary they take as an ill omen.”(335) The same
custom is described by another witness thus: “Upon the night before
Candlemas it is usual to make a bed with corn and hay, over which some
blankets are laid, in a part of the house near the door. When it is ready,
a person goes out and repeats three times, ... ‘Bridget, Bridget, come in;
thy bed is ready.’ One or more candles are left burning near it all
night.”(336)
Often the marriage of the spirit of vegetation in spring, though not
directly represented, is implied by naming the human representative of the
spirit “the Bride,” and dressing her in wedding attire. Thus in some
villages of Altmark at Whitsuntide, while the boys go about carrying a
May-tree or leading a boy enveloped in leaves and flowers, the girls lead
about the May Bride, a girl dressed as a bride with a great nosegay in her
hair. They go from house to house, the May Bride singing a song in which
she asks for a present, and tells the inmates of each house that if they
give her something they will themselves have something the whole year
through; but if they give her nothing they will themselves have
nothing.(337) In some parts of Westphalia two girls lead a flower-crowned
girl called “the Whitsuntide Bride” from door to door, singing a song in
which they ask for eggs.(338) In Bresse in the month of May a girl called
_la Mariée_ is tricked out with ribbons and nosegays and is led about by a
gallant. She is preceded by a lad carrying a green May-tree, and
appropriate verses are sung.(339)
Public-domain text, read in full here on John Shaqi.
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