sacrifice a corresponding image of the creature.​[195] This may help us to understand the meaning of the figures of cattle, deer, horses, and pigs which were dedicated to Diana at Nemi.​[196] They may have been the offerings of farmers or huntsmen who hoped thereby to multiply the cattle or the game. Similarly when the Todas of Southern India desire to obtain more buffaloes, they offer silver images of these animals in the temples.​[197] The Peruvian Indians moulded images of fat mixed with grain to imitate the persons whom they disliked or feared, and then burned the effigy on the road where the intended victim was to pass. This they called burning his soul. But they drew a delicate distinction between the kinds of materials to be used in the manufacture of these images, according as the victim was an Indian or a Viracocha, that is, a Spaniard. To kill an Indian they employed maize and the fat of a llama, to kill a Spaniard they used wheat and the fat of a pig, because Viracochas did not eat llamas and preferred wheat to maize.​[198] {p57} [Sidenote: Magical images among the Malays.] A Malay charm of the same sort is as follows. Take parings of nails, hair, eyebrows, spittle, and so forth of your intended victim, enough to represent every part of his person, and then make them up into his likeness with wax from a deserted bees’ comb. Scorch the figure slowly by holding it over a lamp every night for seven nights, and say: “_It is not wax that I am scorching,_ _It is the liver, hearty and spleen of So-and-so that I scorch._” After the seventh time burn the figure, and your victim will die. This charm obviously combines the principles of homoeopathic and contagious magic; since the image which is made in the likeness of an enemy contains things which once were in contact with him, namely, his nails, hair, and spittle. Another form of the Malay charm, which resembles the Ojebway practice still more closely, is to make a corpse of wax from an empty bees’ comb and of the length of a footstep; then pierce the eye of the image, and your enemy {p58} is blind; pierce the stomach, and he is sick; pierce the head, and his head aches; pierce the breast, and his breast will suffer. If you would kill him outright, transfix the image from the head downwards; enshroud it as you would a corpse; pray over it as if you were praying over the dead; then bury it in the middle of a path where your victim will be sure to step over it. In order that his blood may not be on your head, you should say: “_It is not I who am burying him,_ _It is Gabriel who is burying him._”