The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
Thus the guilt of the murder will be laid on the shoulders of the
archangel Gabriel, who is a great deal better able to bear it than
you are.[199] In eastern Java an enemy may be killed by means of a
likeness of him drawn on a piece of paper, which is then incensed or
buried in the ground.[200] Among the Minangkabauers of Sumatra a man
who is tormented by the passion of hate or of unrequited love will
call in the help of a wizard in order to cause the object of his hate
or love to suffer from a dangerous ulcer known as a _tinggam_. After
giving the wizard the necessary instructions as to the name, bodily
form, dwelling, and family of the person in question, he makes a puppet
which is supposed to resemble his intended victim; and repairs with
it to a wood, where he hangs the image on a tree that stands quite
by itself. Muttering a spell, he then drives an instrument through
the navel of the puppet into the tree, till the sap of the tree oozes
through the hole thus made. The instrument which inflicts the wound
bears the same name (_tinggam_) as the ulcer which is to be raised on
the body of the victim, and the oozing sap is believed to be his or
her life-spirit. Soon afterwards the person against whom the charm is
directed begins to suffer from an ulcer, which grows worse and worse
till he dies, unless a friend can procure a piece of the wood of the
tree to which the image is attached.[201] {p59}
[Sidenote: Magical images in Torres Straits and Borneo.]
The sorcerers of Mabuiag or Jervis Island, in Torres Straits, kept
an assortment of effigies in stock ready to be operated on at the
requirement of a customer. Some of the figures were of stone; these
were employed when short work was to be made of a man or woman. Others
were wooden; these gave the unhappy victim a little more rope, only,
however, to terminate his prolonged sufferings by a painful death.
The mode of operation in the latter case was to put poison, by means
of a magical implement, into a wooden image, to which the name of the
intended victim had been given. Next day the person aimed at would
feel chilly, then waste away and die, unless the same wizard who had
wrought the charm would consent to undo it.[202] If the sorcerer
pulled off an arm or leg of the image, the human victim felt pain in
the corresponding limb of his body; but if the sorcerer restored the
severed arm or leg to the figure, the man recovered. Another mode of
compassing a man’s death in Torres Straits was to prick a wax effigy
of him or her with the spine of a sting-ray; so when the man whose
name had been given to the waxen image next went afishing on the reef
a sting-ray would sting him in the exact part of his body where the
waxen image had been pierced. Or the sorcerer might hang the effigy
on the bough of a tree, and as it swayed to and fro in the wind the
person represented by it would fall sick. However, he would get well
again if a friend of his could induce the magician to steady the figure
Public-domain text, read in full here on John Shaqi.
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