by sticking it firmly in the sandy bottom of the sea.​[203] When the Lerons of Borneo wish to be revenged on an enemy, they make a wooden image of him and leave it in the jungle. As it decays, he dies.​[204] More elaborate is the proceeding adopted by the Kenyahs of Borneo in similar circumstances. The operator retires with the image to a quiet spot on the river bank, and when a hawk appears in a certain part of the sky, he kills a fowl, smears its blood on the image, and puts a bit of fat in the mouth of the figure, saying, “Put fat in his mouth.” By that he means, “May {p60} his head be cut off, hung up in an enemy’s house, and fed with fat in the usual way.” Then he strikes at the breast of the image with a small wooden spear, throws it into a pool of water reddened with red earth, and afterwards takes it out and buries it in the ground.​[205] [Sidenote: Magical images in Japan and China.] If an Aino of Japan desires to compass the destruction of an enemy, he will make a likeness of him out of mugwort or the guelder-rose and bury it in a hole upside down or under the trunk of a rotten tree, with a prayer to a demon to carry off the man’s soul or to make his body rot away with the tree. Sometimes an Aino woman will attempt to get rid of her husband in this fashion by wrapping up his head-dress in the shape of a corpse and burying it deep in the ground, while she breathes a prayer that her husband may rot and die with the head-dress.​[206] The Japanese themselves are familiar with similar modes of enchantment. In one of their ancient books we read of a rebellious minister who made figures of the heir to the throne with intent, no doubt, to do him grievous bodily harm thereby; and sometimes a woman who has been deserted by her lover will make a straw effigy of the faithless gallant and nail it to a sacred tree, adjuring the gods to spare the tree and to visit the sacrilege on the traitor. At a shrine of Kompira there stood a pine-tree studded with nails which had been thus driven in for the purpose of doing people to death.​[207] The Chinese also are perfectly aware that you can harm a man by maltreating or cursing an image of him, especially if you have taken care to write on it his name and horoscope. This mode of venting spite on an enemy is said to be commonly practised in China. In Amoy such images, roughly made of bamboo splinters and paper, are called “substitutes of persons” and may be bought very cheap for a cash or so apiece at any shop which sells paper articles for the use of the dead or the gods; for the frugal Chinese are in the habit of palming off paper imitations of all kinds of valuables on the simple-minded ghosts and gods, who take them in all good faith for the genuine articles. As {p61} usual, the victim suffers a hurt corresponding to the hurt done to his image. Thus if you run a nail or a needle into the eyes of the puppet, your man will go more or less blind; if you stick a pin in its stomach, he will be doubled up