The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
ill-treating it. Thus in a hymn to the fire-god Nusku we read:
_“Those who have made images of me, reproducing my features,_
_Who have taken away my breath, torn my hairs,_
_Who have rent my clothes, have hindered my feet from treading the
dust,_
_May the fire-god, the strong one, break their charm.”_[229]
[Sidenote: Magical images in Babylon and Egypt for the discomfiture of
demons]
But both in Babylon and in Egypt this ancient tool of superstition,
so baneful in the hands of the mischievous and malignant, was also
pressed into the service of religion and turned to glorious account
for the confusion and overthrow of demons. In a Babylonian incantation
we meet with a long list of evil spirits whose effigies were burnt by
the magician in the hope that, as their images melted in the fire, so
the fiends themselves might melt away and disappear.[230] Every night
when the sun-god Ra sank down to his home in the glowing west he was
assailed by hosts of demons under the leadership of the arch-fiend
Apepi. All night long he fought them, and sometimes by day the powers
of darkness sent up clouds even into the blue Egyptian sky to obscure
his light and weaken his power. To aid the sun-god in this daily
struggle, a ceremony was daily performed in his temple at Thebes. A
figure of his foe Apepi, represented as a crocodile with a hideous face
or a serpent with many coils, was made of wax, and on it the demon’s
name was written in green ink. Wrapt in a papyrus case, on which
another likeness of Apepi had been drawn in green ink, the figure was
then tied up with black hair, spat upon, hacked with a stone knife,
and cast on the ground. There the priest trod on it with his left foot
again and again, and then burned it in a fire made of a certain plant
or grass. When Apepi himself had thus been effectually disposed of,
waxen effigies of each of his principal demons, and of their fathers,
mothers, and children, were {p68} made and burnt in the same way. The
service, accompanied by the recitation of certain prescribed spells,
was repeated not merely morning, noon, and night, but whenever a storm
was raging, or heavy rain had set in, or black clouds were stealing
across the sky to hide the sun’s bright disc. The fiends of darkness,
clouds, and rain felt the injuries inflicted on their images as if they
had been done to themselves; they passed away, at least for a time, and
the beneficent sun-god shone out triumphant once more.[231]
[Sidenote: Magical images in Scotland.]
Public-domain text, read in full here on John Shaqi.
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