From the azure sky, the stately fanes, and the solemn ritual of ancient Egypt we have to travel far in space and time to the misty mountains and the humble cottages of the Scottish Highlands of to-day; but at our journey’s end we shall find our ignorant countrymen seeking to attain the same end by the same means and, unhappily, with the same malignity as the Egyptian of old. To kill a person whom he hates, a modern Highlander will still make a rude clay image of him, called a _corp chre_ or _corp chreadh_ (“clay body”), stick it full of pins, nails, and broken bits of glass, and then place it in a running stream with its head to the current. As every pin is thrust into the figure an incantation is uttered, and the person represented feels a pain in the corresponding part of his body. If the intention is to make him die a lingering death, the operator is careful to stick no pins into the region of the heart, whereas he thrusts them into that region deliberately if he desires to rid himself of his enemy at once. And as the clay puppet crumbles away in the running water, so the victim’s body is believed to waste away and turn to clay. In Islay the spell spoken over the _corp chre_, when it is ready to receive the pins, is as follows: “From behind you are like a ram with an old fleece.” And as the pins are being thrust in, a long incantation is pronounced, beginning “As you waste away, may she waste away; as this wounds you, may it wound her.” Sometimes, we are told, the effigy is set before a blazing fire on a door which has been taken off its hinges; there it is toasted and {p69} turned to make the human victim writhe in agony. The _corp chre_ is reported to have been employed of late years in the counties of Inverness, Ross, and Sutherland. A specimen from Inverness-shire may be seen in the Pitt-Rivers Museum at Oxford.​[232] It is remarkable, however, that in the Highlands this form of magic has no power over a man who has lost any of his members. For example, though Ross-shire witches made a clay figure of “Donald of the Ear,” they could not destroy him, because he had lost an ear in battle.​[233] A similar form of witchcraft, known as “burying the sheaf,” seems still to linger in Ireland among the dwellers in the Bog of Ardee. The person who works the charm goes first to a chapel and says certain prayers with his back to the altar; then he takes a sheaf of wheat, which he fastens into the likeness of a human body, sticking pins in the joints of the stems and, according to one account, shaping a heart of plaited straw. This sheaf he buries in the devil’s name near the house of his enemy, who will, it is supposed, gradually pine away as the sheaf decays, dying when it finally decomposes. If the enchanter desires his foe to perish speedily, he buries the sheaf in wet ground, where it will soon moulder away; but if on the other hand his wish is that his victim should linger in pain, he chooses a dry spot, where