The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 02 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 02 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
march before him in bands begging him to give them a Whitsuntide
wetting.[303]
[Sidenote: Jack-in-the-Green in England.] In England the best-known
example of these leaf-clad mummers is the Jack-in-the-Green, a
chimney-sweeper who walks encased in a pyramidal framework of
wickerwork, which is covered with holly and ivy, and surmounted by a
crown of flowers and ribbons. Thus arrayed he dances on May Day at the
head of a troop of chimney-sweeps, who collect pence.[304] The ceremony
was witnessed at Cheltenham on the second of May 1892, by Dr. W. H. D.
Rouse, who has described in detail the costume of the performers. They
were all chimney-sweeps of the town. Jack-in-the-Green or the
Bush-carrier was enclosed in a wooden framework on which leaves were
fastened so as to make a thick cone about six feet high, topped with a
crown, which consisted of two wooden hoops placed crosswise and covered
with flowers. The leafy envelope was unbroken except for a single
opening through which peered the face of the mummer. From time to time
in their progress through the streets the performers halted, and three
of them, dressed in red, blue, and yellow respectively, tripped lightly
round the leaf-covered man to the inspiring strains of a fiddle and a
tin whistle on which two of their comrades with blackened faces
discoursed sweet music. The leader of the procession was a clown
fantastically clad in a long white pinafore or blouse with coloured
fringes and frills, and wearing on his head a beaver hat of the familiar
pattern, the crown of which hung loose and was adorned with ribbons and
a bird or a bundle of feathers. Large black rings surrounded his eyes,
and a red dab over mouth and chin lent a pleasing variety to his
countenance. He contributed to the public hilarity by flapping the
yellow fringe of his blouse with quaint gestures and occasionally
fanning himself languidly. His efforts were seconded by another
performer, who wore a red fool’s cap, all stuck with flowers, and a
white pinafore enriched with black human figures in front and a black
gridiron-like pattern, crossed diagonally by a red bar, at the back. Two
boys in white pinafores, with similar figures, or stars, on the breast,
and a fish on the back, completed the company. Formerly there used to be
a man in woman’s clothes, who personated the clown’s wife.[305] In some
parts also of France a young fellow is encased in a wicker framework
covered with leaves and is led about.[306] In Frickthal, in the Swiss
[Sidenote: The Whitsuntide Basket in Switzerland.] canton of Aargau, a
similar frame of basketwork is called the Whitsuntide Basket. As soon as
the trees begin to bud, a spot is chosen in the wood, and here the
village lads make the frame with all secrecy, lest others should
forestall them. Leafy branches are twined round two hoops, one of which
rests on the shoulders of the wearer, the other encircles his calves;
holes are made for his eyes and mouth; and a large nosegay crowns the
whole.
Public-domain text, read in full here on John Shaqi.
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