The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 03 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 03 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M36) When a Dyak or Malay of some of the western tribes or districts of
Borneo is taken ill, with vomiting and profuse sweating as the only
symptoms, he thinks that one of his deceased kinsfolk or ancestors is at
the bottom of it. To discover which of them is the culprit, a wise man or
woman pulls a lock of hair on the crown of the sufferer’s head, calling
out the names of all his dead relations. The name at which the lock gives
forth a sound is the name of the guilty party. If the patient’s hair is
too short to be tugged with effect, he knocks his forehead seven times
against the forehead of a kinsman who has long hair. The hair of the
latter is then tugged instead of that of the patient and answers to the
test quite as well. When the blame has thus been satisfactorily laid at
the door of the ghost who is responsible for the sickness, the physician,
who, as in other countries, is often an old woman, remonstrates with him
on his ill behaviour. “Go back,” says she, “to your grave; what do you
come here for? The soul of the sick man does not choose to be called by
you, and will remain yet a long time in its body.” Then she puts some
ashes from the hearth in a winnowing fan and moulds out of them a small
figure or image in human likeness. Seven times she moves the basket with
the little ashen figure up and down before the patient, taking care not to
obliterate the figure, while at the same time she says, “Sickness, settle
in the head, belly, hands, etc.; then quickly pass into the corresponding
part of the image,” whereupon the patient spits on the ashen image and
pushes it from him with his left hand. Next the beldame lights a candle
and goes to the grave of the person whose ghost is doing all the mischief.
On the grave she throws the figure of ashes, calling out, “Ghost, plague
the sick man no longer, and stay in your grave, that he may see you no
more.” On her return she asks the anxious relations in the house, “Has his
soul come back?” and they must answer quickly, “Yes, the soul of the sick
man has come back.” Then she stands beside the patient, blows out the
candle which had lighted the returning soul on its way, and strews
yellow-coloured rice on the head of the convalescent, saying, “Cluck,
soul! cluck, soul! cluck, soul!” Last of all she fastens on his right
wrist a bracelet or ring which he must wear for three days.(185) In this
case we see that the saving of the soul is combined with a vicarious
sacrifice to the ghost, who receives a puppet on which to work his will
instead of on the poor soul. In San Cristoval, one of the Melanesian
islands, the vicarious sacrifice takes the form of a pig or a fish. A
malignant ghost of the name of Tapia is supposed to have seized on the
sick man’s soul and tied it up to a banyan-tree. Accordingly a man who has
influence with Tapia takes a pig or fish to the holy place where the ghost
resides and offers it to him, saying, “This is for you to eat in place of
Public-domain text, read in full here on John Shaqi.
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