The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M174) At Frosinone, in Latium, about half-way between Rome and Naples,
the dull monotony of life in a provincial Italian town is agreeably broken
on the last day of the Carnival by the ancient festival known as the
_Radica_. About four o’clock in the afternoon the town band, playing
lively tunes and followed by a great crowd, proceeds to the Piazza del
Plebiscito, where is the Sub-Prefecture as well as the rest of the
Government buildings. Here, in the middle of the square, the eyes of the
expectant multitude are greeted by the sight of an immense car decked with
many-coloured festoons and drawn by four horses. Mounted on the car is a
huge chair, on which sits enthroned the majestic figure of the Carnival, a
man of stucco about nine feet high with a rubicund and smiling
countenance. Enormous boots, a tin helmet like those which grace the heads
of officers of the Italian marine, and a coat of many colours embellished
with strange devices, adorn the outward man of this stately personage. His
left hand rests on the arm of the chair, while with his right he
gracefully salutes the crowd, being moved to this act of civility by a
string which is pulled by a man who modestly shrinks from publicity under
the mercy-seat. And now the crowd, surging excitedly round the car, gives
vent to its feelings in wild cries of joy, gentle and simple being mixed
up together and all dancing furiously the _Saltarello_. A special feature
of the festival is that every one must carry in his hand what is called a
_radica_ (“root”), by which is meant a huge leaf of the aloe or rather the
agave. Any one who ventured into the crowd without such a leaf would be
unceremoniously hustled out of it, unless indeed he bore as a substitute a
large cabbage at the end of a long stick or a bunch of grass curiously
plaited. When the multitude, after a short turn, has escorted the
slow-moving car to the gate of the Sub-Prefecture, they halt, and the car,
jolting over the uneven ground, rumbles into the courtyard. A hush now
falls on the crowd, their subdued voices sounding, according to the
description of one who has heard them, like the murmur of a troubled sea.
All eyes are turned anxiously to the door from which the Sub-Prefect
himself and the other representatives of the majesty of the law are
expected to issue and pay their homage to the hero of the hour. A few
moments of suspense and then a storm of cheers and hand-clapping salutes
the appearance of the dignitaries, as they file out and, descending the
staircase, take their place in the procession. The hymn of the Carnival is
now thundered out, after which, amid a deafening roar, aloe leaves and
cabbages are whirled aloft and descend impartially on the heads of the
just and the unjust, who lend fresh zest to the proceedings by engaging in
a free fight. When these preliminaries have been concluded to the
satisfaction of all concerned, the procession gets under weigh. The rear
Public-domain text, read in full here on John Shaqi.
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