The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
warned that they ought to remain at home.(668) At Castellammare, to the
south of Naples, an English lady observed a rude puppet dangling from a
string which spanned one of the narrow streets of the old town, being
fastened at either end, high overhead, to the upper part of the
many-storied houses. The puppet, about a foot long, was dressed all in
black, rather like a nun, and from the skirts projected five or six
feathers which bore a certain resemblance to legs. A peasant being asked
what these things meant, replied with Italian vagueness, “It is only
Lent.” Further enquiries, however, elicited the information that at the
end of every week in Lent one of the feather legs was pulled off the
puppet, and that the puppet was finally destroyed on the last day of
Lent.(669)
§ 6. Bringing in Summer.
(M195) In the preceding ceremonies the return of Spring, Summer, or Life,
as a sequel to the expulsion of Death, is only implied or at most
announced. In the following ceremonies it is plainly enacted. Thus in some
parts of Bohemia the effigy of Death is drowned by being thrown into the
water at sunset; then the girls go out into the wood and cut down a young
tree with a green crown, hang a doll dressed as a woman on it, deck the
whole with green, red, and white ribbons, and march in procession with
their _Líto_ (Summer) into the village, collecting gifts and singing—
“_Death swims in the water,_
_Spring comes to visit us,_
_With eggs that are red,_
_With yellow pancakes._
_We carried Death out of the village,_
_We are carrying Summer into the village._”(670)
In many Silesian villages the figure of Death, after being treated with
respect, is stript of its clothes and flung with curses into the water, or
torn to pieces in a field. Then the young folk repair to a wood, cut down
a small fir-tree, peel the trunk, and deck it with festoons of evergreens,
paper roses, painted egg-shells, motley bits of cloth, and so forth. The
tree thus adorned is called Summer or May. Boys carry it from house to
house singing appropriate songs and begging for presents. Among their
songs is the following:—
“_We have carried Death out,_
_We are bringing the dear Summer back,_
_The Summer and the May_
_And all the flowers gay._”
Sometimes they also bring back from the wood a prettily adorned figure,
which goes by the name of Summer, May, or the Bride; in the Polish
districts it is called Dziewanna, the goddess of spring.(671)
Public-domain text, read in full here on John Shaqi.
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