The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 06 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 06 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M37) The Egyptian harvest, as we have seen, falls not in autumn but in
spring, in the months of March, April, and May. To the husbandman the time
of harvest, at least in a good year, must necessarily be a season of joy:
in bringing home his sheaves he is requited for his long and anxious
labours. Yet if the old Egyptian farmer felt a secret joy at reaping and
garnering the grain, it was essential that he should conceal the natural
emotion under an air of profound dejection. For was he not severing the
body of the corn-god with his sickle and trampling it to pieces under the
hoofs of his cattle on the threshing-floor?(88) Accordingly we are told
that it was an ancient custom of the Egyptian corn-reapers to beat their
breasts and lament over the first sheaf cut, while at the same time they
called upon Isis.(89) The invocation seems to have taken the form of a
melancholy chant, to which the Greeks gave the name of Maneros. Similar
plaintive strains were chanted by corn-reapers in Phoenicia and other
parts of Western Asia.(90) Probably all these doleful ditties were
lamentations for the corn-god killed by the sickles of the reapers. In
Egypt the slain deity was Osiris, and the name _Maneros_ applied to the
dirge appears to be derived from certain words meaning “Come to thy
house,” which often occur in the lamentations for the dead god.(91)
(M38) Ceremonies of the same sort have been observed by other peoples,
probably for the same purpose. Thus we are told that among all vegetables
corn (_selu_), by which is apparently meant maize, holds the first place
in the household economy and the ceremonial observance of the Cherokee
Indians, who invoke it under the name of “the Old Woman” in allusion to a
myth that it sprang from the blood of an old woman killed by her
disobedient sons. “Much ceremony accompanied the planting and tending of
the crop. Seven grains, the sacred number, were put into each hill, and
these were not afterwards thinned out. After the last working of the crop,
the priest and an assistant—generally the owner of the field—went into the
field and built a small enclosure in the centre. Then entering it, they
seated themselves upon the ground, with heads bent down, and while the
assistant kept perfect silence the priest, with rattle in hand, sang songs
of invocation to the spirit of the corn. Soon, according to the orthodox
belief, a loud rustling would be heard outside, which they would know was
caused by the ‘Old Woman’ bringing the corn into the field, but neither
must look up until the song was finished. This ceremony was repeated on
four successive nights, after which no one entered the field for seven
other nights, when the priest himself went in, and, if all the sacred
regulations had been properly observed, was rewarded by finding young ears
upon the stalks. The corn ceremonies could be performed by the owner of
the field himself, provided he was willing to pay a sufficient fee to the
Public-domain text, read in full here on John Shaqi.
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