The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M147) The conception of the corn-spirit as a bride seems to come out
clearly in a ceremony still practised by the Berbers near Tangier, in
Morocco. When the women assemble in the fields to weed the green barley or
reap the crops, they take with them a straw figure dressed like a woman,
and set it up among the corn. Suddenly a group of horsemen from a
neighbouring village gallops up and carries off the straw puppet amid the
screams and cries of the women. However, the ravished effigy is rescued by
another band of mounted men, and after a struggle it remains, more or less
dishevelled, in the hands of the women. That this pretended abduction is a
mimic marriage appears from a Berber custom in accordance with which, at a
real wedding, the bridegroom carries off his seemingly unwilling bride on
horseback, while she screams and pretends to summon her friends to her
rescue. No fixed date is appointed for the simulated abduction of the
straw woman from the barley-field, the time depends upon the state of the
crops, but the day and hour are made public before the event. Each village
used to practise this mimic contest for possession of the straw woman, who
probably represents the Barley Bride, but nowadays the custom is growing
obsolete.(574)
(M148) An earlier account of what seems to be the same practice runs as
follows: “There is a curious custom which seems to be a relic of their
pagan masters, who made this and the adjoining regions of North Africa the
main granary of their Latin empire. When the young corn has sprung up,
which it does about the middle of February, the women of the villages make
up the figure of a female, the size of a very large doll, which they dress
in the gaudiest fashion they can contrive, covering it with ornaments to
which all in the village contribute something; and they give it a tall,
peaked head-dress. This image they carry in procession round their fields,
screaming and singing a peculiar ditty. The doll is borne by the foremost
woman, who must yield it to any one who is quick enough to take the lead
of her, which is the cause of much racing and squabbling. The men also
have a similar custom, which they perform on horseback. They call the
image Mata. These ceremonies are said by the people to bring good luck.
Their efficacy ought to be great, for you frequently see crowds of men
engaged in their performances running and galloping recklessly over the
young crops of wheat and barley. Such customs are directly opposed to the
faith of Islam, and I never met with a Moor who could in any way enlighten
me as to their origin. The Berber tribes, the most ancient race now
remaining in these regions, to which they give the name, are the only ones
which retain this antique usage, and it is viewed by the Arabs and
dwellers in the town as a remnant of idolatry.”(575) We may conjecture
that this gaudily dressed effigy of a female, which the Berber women carry
about their fields when the corn is sprouting, represents the Corn-mother,
Public-domain text, read in full here on John Shaqi.
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