The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M20) The next act opens with a repetition of the pretence of forging a
ploughshare, but this time the gypsy man hammers on a real share. When the
implement is supposed to have been fashioned, a real plough is brought
forward, the mockery appears to cease, the two boys dressed as girls are
yoked to the plough and drag it twice round the village square contrary to
the way of the sun. One of the two skin-clad men walks at the tail of the
plough, the other guides it in front, and a third man follows in the rear
scattering seed from a basket. After the two rounds have been completed,
the gypsy and his wife are yoked to the plough, and drag it a third time
round the square, the two skin-clad men still playing the part of
ploughmen. At Viza the plough is drawn by the skin-clad men themselves.
While the plough is going its rounds, followed by the sower sowing the
seed, the people pray aloud, saying, “May wheat be ten piastres the
bushel! Rye five piastres the bushel! Amen, O God, that the poor may eat!
Yea, O God, that poor folk be filled!” This ends the performance. The
evening is spent in feasting on the proceeds of the house-to-house
visitation which took place in the morning.(115)
(M21) A kindred festival is observed on the same day of the Carnival at
Kosti, a place in the extreme north of Thrace, near the Black Sea. There a
man dressed in sheepskins or goatskins, with a mask on his face, bells
round his neck, and a broom in his hand, goes round the village collecting
food and presents. He is addressed as a king and escorted with music. With
him go boys dressed as girls, and another boy, not so disguised, who
carries wine in a wooden bottle and gives of it to every householder to
drink in a cup, receiving a gift in return. The king then mounts a
two-wheeled cart and is drawn to the church. He carries seed in his hand,
and at the church two bands of men, one of married men and the other of
unmarried men, try each in turn to induce the king to throw the seed on
them. Finally he casts it on the ground in front of the church. The
ceremony ends with stripping the king of his clothes and flinging him into
the river, after which he resumes his usual dress.(116)
Public-domain text, read in full here on John Shaqi.
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