The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
That night no one in the village might sleep.
Next day, after the animals had been again led down the steep bank to the
river, and conducted thrice round the hole in the ice from which the women
of the village drew their water, they were taken to an appointed place not
far from the village, and shot to death with arrows. The place of
sacrifice or execution was marked as holy by being surrounded with
whittled sticks, from the tops of which shavings hung in curls. Such
sticks are with the Gilyaks, as with the Aino, the regular symbols that
accompany all religious ceremonies. Before the bears received the fatal
shafts from two young men chosen for the purpose, the boys were allowed to
discharge their small but not always harmless arrows at the beasts. As
soon as the carcases had been cut up, the skins with the heads attached to
them were set up in a wooden cage in such a way as to make it appear that
the animals had entered the cage and were looking out of it. The blood
which flowed from the bears on the spot where they were killed was
immediately covered up with snow, to prevent any one from accidentally
treading on it, a thing which was strictly tabooed.
(M146) When the house has been arranged and decorated for their reception,
the skins of the bears, with their heads attached to them, are brought
into it, not however by the door, but through a window, and then hung on a
sort of scaffold opposite the hearth on which the flesh is to be cooked.
This ceremony of bringing the bears’ skins into the house by the window
was not witnessed by the Russian travellers, who only learned of it at
second hand. They were told that when the thin disc of fish-skin, which is
the substitute for a pane of glass in the window, has been replaced after
the passage of the bear-skins, a figure of a toad made of birch bark is
affixed to it on the outside, while inside the house a figure of a bear
dressed in Gilyak costume is set on the bench of honour. The meaning of
this part of the ceremony, as it is conjecturally interpreted by Von
Schrenck, may be as follows. The toad is a creature that has a very evil
reputation with the Gilyaks, and accordingly they attempt to lay upon it,
as on a scapegoat, the guilt of the slaughter of the worshipful bear.
Hence its effigy is excluded from the house and has to remain outside at
the window, a witness of its own misdeeds; whereas the bear is brought
into the house and treated as an honoured guest, for fish and flesh are
laid before it, and its effigy, dressed in Gilyak costume, is seated on
the bench of honour.
Public-domain text, read in full here on John Shaqi.
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