The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M2) To begin with Dionysus. We have seen that he was represented
sometimes as a goat and sometimes as a bull.(1) As a goat he can hardly be
separated from the minor divinities, the Pans, Satyrs, and Silenuses, all
of whom are closely associated with him and are represented more or less
completely in the form of goats. Thus, Pan was regularly portrayed in
sculpture and painting with the face and legs of a goat.(2) The Satyrs
were depicted with pointed goat-ears, and sometimes with sprouting horns
and short tails.(3) They were sometimes spoken of simply as goats;(4) and
in the drama their parts were played by men dressed in goatskins.(5)
Silenus is represented in art clad in a goatskin.(6) Further, the Fauns,
the Italian counterpart of the Greek Pans and Satyrs, are described as
being half goats, with goat-feet and goat-horns.(7) Again, all these minor
goat-formed divinities partake more or less clearly of the character of
woodland deities. Thus, Pan was called by the Arcadians the Lord of the
Wood.(8) The Silenuses associated with the tree-nymphs.(9) The Fauns are
expressly designated as woodland deities;(10) and their character as such
is still further brought out by their association, or even identification,
with Silvanus and the Silvanuses, who, as their name of itself indicates,
are spirits of the woods.(11) Lastly, the association of the Satyrs with
the Silenuses, Fauns, and Silvanuses,(12) proves that the Satyrs also were
woodland deities. These goat-formed spirits of the woods have their
counterparts in the folk-lore of Northern Europe. Thus, the Russian
wood-spirits, called _Ljeschie_ (from _ljes_, “wood”) are believed to
appear partly in human shape, but with the horns, ears, and legs of goats.
The _Ljeschi_ can alter his stature at pleasure; when he walks in the wood
he is as tall as the trees; when he walks in the meadows he is no higher
than the grass. Some of the _Ljeschie_ are spirits of the corn as well as
of the wood; before harvest they are as tall as the corn-stalks, but after
it they shrink to the height of the stubble.(13) This brings out—what we
have remarked before—the close connexion between tree-spirits and
corn-spirits, and shews how easily the former may melt into the latter.
Similarly the Fauns, though wood-spirits, were believed to foster the
growth of the crops.(14) We have already seen how often the corn-spirit is
represented in folk-custom as a goat.(15) On the whole, then, as Mannhardt
argues,(16) the Pans, Satyrs, and Fauns perhaps belong to a widely
diffused class of wood-spirits conceived in goat-form. The fondness of
goats for straying in woods and nibbling the bark of trees, to which
indeed they are most destructive, is an obvious and perhaps sufficient
reason why wood-spirits should so often be supposed to take the form of
goats. The inconsistency of a god of vegetation subsisting upon the
vegetation which he personifies is not one to strike the primitive mind.
Public-domain text, read in full here on John Shaqi.
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