The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M246) The foregoing interpretation of the rites observed in England on
Plough Monday tallies well with the explanation which I have given of the
very similar rites annually performed at the end of the Carnival in
Thrace.(973) The mock ploughing is probably practised for the same purpose
in both cases, and what that purpose is may be safely inferred from the
act of sowing and the offering of prayers for abundant crops which
accompany and explain the Thracian ceremony. It deserves to be noted that
ceremonies of the same sort and closely resembling those of Plough Monday
are not confined to the Greek villages of Thrace but are observed also by
the Bulgarians of that province at the same time, namely, on the Monday of
the last week in Carnival. Thus at Malko-Tirnovsko, in the district of
Adrianople, a procession of mummers goes through the streets on that day.
The principal personages in it bear the names of the _Kuker_ and
_Kukerica_. The _Kuker_ is a man clad in a goatskin. His face is blackened
with soot and he wears on his head a high shaggy hat made of an entire
skin. Bells jingle at his girdle, and in his hand he carries a club. The
_Kukerica_, who sometimes goes by the name of _Baba_, that is, “Old
Woman,” is a man disguised in petticoats with his face blackened. Other
figures in the procession are young men dressed as girls, and girls
dressed as men and wearing masks. Bears are represented by dogs wrapt in
bearskins. A king, a judge, and other officials are personated by other
mummers; they hold a mock court and those whom they condemn receive a
bastinado. Some of the maskers carry clubs; it is their duty to beat all
who fall into their hands and to levy contributions from them. The play
and gestures of the _Kuker_ and _Kukerica_ are wanton and lascivious: the
songs and cries addressed to the _Kuker_ are also very cynical. Towards
evening two of the company are yoked to a plough, and the _Kuker_ ploughs
a few furrows, which he thereupon sows with corn. After sunset he puts off
his disguise, is paid for his trouble, and carouses with his fellows. The
people believe that the man who plays the part of _Kuker_ commits a deadly
sin, and the priests make vain efforts to abolish the custom. At the
village of Kuria, in the district of Losengrad, the custom is in general
the same, but there are some significant variations. The money collected
by the mummers is used to buy wine, which is distributed among all the
villagers at a banquet in the evening. On this occasion a cake in which an
old coin has been baked is produced by the _Kuker_, broken into bits, and
so divided among all present. If the bit with the coin in it falls to a
farmer, then the crops will be good that year; but if it falls to a
herdsman, then the cattle will thrive. Finally, the _Kuker_ ploughs a
small patch of ground, “bending his body to right and left in order to
indicate symbolically the ears of corn bending under the weight of the
Public-domain text, read in full here on John Shaqi.
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