The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
hapless demons who had been lured by the tempting viands to embark and
were now left to toss forlorn on the great deep at the mercy of the waves
and the winds.
(M152) Again, every year, generally in March, the people of Leti, Moa, and
Lakor, islands of the Indian Archipelago, send away all their diseases to
sea. They make a proa about six feet long, rig it with sails, oars,
rudder, and other gear, and every family deposits in it some rice, fruit,
a fowl, two eggs, insects that ravage the fields, and so on. Then they let
it drift away to sea, saying, “Take away from here all kinds of sickness,
take them to other islands, to other lands, distribute them in places that
lie eastward, where the sun rises.”(497) The Biajas of Borneo annually
send to sea a little bark laden with the sins and misfortunes of the
people. The crew of any ship that falls in with the ill-omened bark at sea
will suffer all the sorrows with which it is laden.(498) A like custom is
annually observed by the Dusuns of the Tuaran district in British North
Borneo. The ceremony is the most important of the whole year. Its aim is
to bring good luck to the village during the ensuing year by solemnly
expelling all the evil spirits that may have collected in or about the
houses throughout the last twelve months. The task of routing out the
demons and banishing them devolves chiefly on women, who indeed play the
principal part in all religious ceremonies among the Dusuns, while the
humble duty of beating drums and banging gongs is discharged by members of
the inferior sex. On this momentous occasion a procession of women, in
full ceremonial dress, goes from house to house, stopping at each to go
through their performances. At the head of the procession marches a boy
carrying a spear on which is impaled a bundle of palm leaves containing
rice. He is followed by two men, who carry a large gong and a drum slung
on a pole between them. Then come the women. One of them carries a small
sucking pig in a basket on her back; and all of them bear wands, with
which they belabour the little pig at the appropriate moment; its squeals
help to attract the vagrant spirits. At every house the women dance and
sing, clashing castanets or cymbals of brass and jingling bunches of
little brass bells in both hands. When the performance has been repeated
at every house in the village, the procession defiles down to the river
and all the evil spirits, which the performers have chased from the
houses, follow them to the edge of the water. There a raft has been made
ready and moored to the bank. It contains offerings of food, cloth,
cooking-pots, and swords; and the deck is crowded with figures of men,
women, animals, and birds, all made out of the leaves of the sago palm.
The evil spirits now embark on the raft, and when they are all aboard, it
is pushed off and allowed to float down with the current, carrying the
demons with it. Should the raft run aground near the village, it is shoved
Public-domain text, read in full here on John Shaqi.
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