(M165) This quaint ceremony suggests that the pardoned criminal who used to play the principal part in a solemn religious procession on Ascension Day at Rouen(531) may in like manner have originally served, if not as a representative of the devil, at least as a public scapegoat, who relieved the whole people of their sins and sorrows for a year by taking them upon himself. This would explain why the gaol had to be raked in order to furnish one who would parade with the highest ecclesiastical dignitaries in their gorgeous vestments through the streets of Rouen, while the church bells pealed out, the clergy chanted, banners waved, and every circumstance combined to enhance the pomp and splendour of the pageant. It would add a pathetic significance to the crowning act of the ceremony, when on a lofty platform in the public square, with the eyes of a great and silent multitude turned upon him, the condemned malefactor received from the Church the absolution and remission of his sins; for if the rite is to be interpreted in the way here suggested, the sins which were thus forgiven were those not of one man only but of the whole people. No wonder, then, that when the sinner, now a sinner no more, rose from his knees and thrice lifted the silver shrine of St. Romain in his arms, the whole vast assembly in the square broke out into joyous cries of “_Noel! Noel! Noel!_” which they understood to signify, “God be with us!” In Christian countries no more appropriate season could be selected for the ceremony of the human scapegoat than Ascension Day, which commemorates the departure from earth of Him who, in the belief of millions, took away the sins of the world.(532)