The Golden Bough: A Study of Magic and Religion — John Shaqi
The Golden Bough: A Study of Magic and ReligionFrazer, James George
Religion
The Golden Bough: A Study of Magic and Religion
Frazer, James George
Magic; Mythology; Religion; Superstition
This is one way in which the idea of a man-god is reached. But there
is another. Along with the view of the world as pervaded by
spiritual forces, savage man has a different, and probably still
older, conception in which we may detect a germ of the modern notion
of natural law or the view of nature as a series of events occurring
in an invariable order without the intervention of personal agency.
The germ of which I speak is involved in that sympathetic magic, as
it may be called, which plays a large part in most systems of
superstition. In early society the king is frequently a magician as
well as a priest; indeed he appears to have often attained to power
by virtue of his supposed proficiency in the black or white art.
Hence in order to understand the evolution of the kingship and the
sacred character with which the office has commonly been invested in
the eyes of savage or barbarous peoples, it is essential to have
some acquaintance with the principles of magic and to form some
conception of the extraordinary hold which that ancient system of
superstition has had on the human mind in all ages and all
countries. Accordingly I propose to consider the subject in some
detail.
III. Sympathetic Magic
1. The Principles of Magic
IF we analyse the principles of thought on which magic is based,
they will probably be found to resolve themselves into two: first,
that like produces like, or that an effect resembles its cause;
and, second, that things which have once been in contact with each
other continue to act on each other at a distance after the
physical contact has been severed. The former principle may be
called the Law of Similarity, the latter the Law of Contact or
Contagion. From the first of these principles, namely the Law of
Similarity, the magician infers that he can produce any effect he
desires merely by imitating it: from the second he infers that
whatever he does to a material object will affect equally the
person with whom the object was once in contact, whether it formed
part of his body or not. Charms based on the Law of Similarity may
be called Homoeopathic or Imitative Magic. Charms based on the Law
of Contact or Contagion may be called Contagious Magic. To denote
the first of these branches of magic the term Homoeopathic is
perhaps preferable, for the alternative term Imitative or Mimetic
suggests, if it does not imply, a conscious agent who imitates,
thereby limiting the scope of magic too narrowly. For the same
principles which the magician applies in the practice of his art
are implicitly believed by him to regulate the operations of
inanimate nature; in other words, he tacitly assumes that the Laws
of Similarity and Contact are of universal application and are not
limited to human actions. In short, magic is a spurious system of
natural law as well as a fallacious guide of conduct; it is a false
science as well as an abortive art. Regarded as a system of natural
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