The Golden Bough: A Study of Magic and ReligionFrazer, James George
Religion
The Golden Bough: A Study of Magic and Religion
Frazer, James George
Magic; Mythology; Religion; Superstition
Others
again, in Bavaria, recommend you to smear the axe or whatever it is
with blood and put it under the eaves.
The train of reasoning which thus commends itself to English and
German rustics, in common with the savages of Melanesia and America,
is carried a step further by the aborigines of Central Australia,
who conceive that under certain circumstances the near relations of
a wounded man must grease themselves, restrict their diet, and
regulate their behaviour in other ways in order to ensure his
recovery. Thus when a lad has been circumcised and the wound is not
yet healed, his mother may not eat opossum, or a certain kind of
lizard, or carpet snake, or any kind of fat, for otherwise she would
retard the healing of the boy's wound. Every day she greases her
digging-sticks and never lets them out of her sight; at night she
sleeps with them close to her head. No one is allowed to touch them.
Every day also she rubs her body all over with grease, as in some
way this is believed to help her son's recovery. Another refinement
of the same principle is due to the ingenuity of the German peasant.
It is said that when one of his pigs or sheep breaks its leg, a
farmer of Rhenish Bavaria or Hesse will bind up the leg of a chair
with bandages and splints in due form. For some days thereafter no
one may sit on that chair, move it, or knock up against it; for to
do so would pain the injured pig or sheep and hinder the cure. In
this last case it is clear that we have passed wholly out of the
region of contagious magic and into the region of homoeopathic or
imitative magic; the chair-leg, which is treated instead of the
beast's leg, in no sense belongs to the animal, and the application
of bandages to it is a mere simulation of the treatment which a more
rational surgery would bestow on the real patient.
Public-domain text, read in full here on John Shaqi.
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