Dr. Rylance had a dim idea that he had heard of this piece before. He waited dumbly, admiring the fine old room, with its lofty ceiling, and florid cornice, and the sunny garden beyond the five tall windows. Presently Ida Palliser came slowly towards the piano, carrying herself like an empress. Dr. Rylance could hardly believe the evidence of his eyes. Was this the girl whose deportment had been called abominable, whom Urania had denounced as a horror? Was this the articled pupil, the girl doomed to life-long drudgery as a governess, this superb creature, with her noble form and noble face, looking grave defiance at the world which hitherto had not used her too kindly? She was dressed in black, a sombre figure amidst the white muslins and rainbow sashes of her comrades. Her cashmere gown was of the simplest fashion, but it became the tall full figure to admiration. Below her linen collar she wore a scarlet ribbon, from which hung a silver locket, the only ornament she possessed. It was Bessie Wendover who had insisted on the scarlet ribbon, as a relief to that funereal gown. 'I was never so surprised in my life,' whispered Dr. Rylance to his daughter. 'She is the handsomest girl I ever saw.' 'Yes, she is an acknowledged beauty, said Urania, with a contraction of her thin lips; 'nobody disputes her good looks. It is a pity her manners are so abominable.' 'She moves like a lady.' 'She has been thoroughly drilled,' sneered Urania. 'The original savage in her has been tamed as much as possible.' 'I should like to know more of that girl,' said Dr. Rylance, 'for she looks as if she has force of character. I'm sorry you and she are not better friends.' Ida seated herself at the piano and began to play, without honouring the assembly with one glance from her dark eyes. She sat looking straight before her, like one whose thoughts are far away. She played by memory, and at first her hands faltered a little as they touched the keys, as if she hardly knew what she was going to play. Then she recollected herself in a flash, and began the firm, slow, legato movement with the touch of a master hand, the melody rising and falling in solemn waves of sound, like the long, slow roll of a calm sea. The 'Moonlight Sonata' is a composition of some length. Badly, or even indifferently performed, the 'Moonlight Sonata' is a trial; but no one grew weary of it to-day, though the strong young hands which gave emphasis to the profound beauties of that wonderful work were only the hands of a girl. Those among the listeners who knew least about music, knew that this was good playing; those who cared not at all for the playing were pleased to sit and watch the mobile face of the player as she wove her web of melody, her expression changing with every change in the music, but unmoved by a thought of the spectators. Presently, just as the sonata drew to its close, an auburn head was thrust between Dr. Rylance and his daughter, and a girl's voice whispered,