“Oh! I dare be bound the canaille of St. Anne are lost dogs like yourselves--catuli catulorum.” The habitans thought this sounded like a doxology, and some crossed themselves, amid the dubious laughter of others, who suspected Father de Berey of a clerical jest. “Oh!” continued he, “if fat Father Ambrose, the cook of the convent, only had you, one at a time, to turn the spit for him, in place of the poor dogs of Quebec, which he has to catch as best he can, and set to work in his kitchen! but, vagabonds that you are, you are rarely set to work now on the King's corvée--all work, little play, and no pay!” The men took his raillery in excellent part, and one, their spokesman, bowing low to the Superior, said,--“Forgive us all the same, good Father. The hard eggs of Beauport will be soft as lard compared with the iron shells we are preparing for the English breakfast when they shall appear some fine morning before Quebec.” “Ah, well, in that case I must pardon the trick you played upon Brothers Mark and Alexis; and I give you my blessing, too, on condition you send some salt to our convent to cure our fish, and save your reputations, which are very stale just now among my good Recollets.” A general laugh followed this sally, and the Reverend Superior went off merrily, as he hastened to catch up with the Governor, who had moved on to another point in the line of fortifications. Near the gate of St. John they found a couple of ladies, encouraging by their presence and kind words a numerous party of habitans,--one an elderly lady of noble bearing and still beautiful, the rich and powerful feudal Lady of the Lordship, or Seigniory, of Tilly; the other her orphan niece, in the bloom of youth, and of surpassing loveliness, the fair Amélie de Repentigny, who had loyally accompanied her aunt to the capital with all the men of the Seigniory of Tilly, to assist in the completion of its defences. To features which looked as if chiselled out of the purest Parian marble, just flushed with the glow of morn, and cut in those perfect lines of proportion which nature only bestows on a few chosen favorites at intervals to show the possibilities of feminine beauty, Amélie de Repentigny added a figure which, in its perfect symmetry, looked smaller than it really was, for she was a tall girl: it filled the eye and held fast the fancy with the charms of a thousand graces as she moved or stood, suggestive of the beauty of a tame fawn, that in all its movements preserves somewhat of the coyness and easy grace of its free life.