United States -- Social life and customs -- 19th century -- Fiction
Harvey Freeman had never been deficient in audacity. But, standing in
the dark radiance of this maiden’s eyes, his self-assurance dwindled,
and he could not bring himself to say to her what he would have said to
any other pretty woman he had ever met. For he felt that great pride and
passion were concealed beneath that tranquil surface: it was a nature
that might give everything to love, and would never pardon any frivolous
parody thereof. Freeman had been acquainted with Miriam scarcely two
days, but he had already begun to perceive the main indications of a
character which a lifetime might not be long enough wholly to explore.
Marriage had never been among the enterprises he had, in the course of
his career, proposed to himself: he did not propose it now: yet he dared
not risk the utterance of a word that would lead Miriam to look at him
with an offended or contemptuous glance. It was not that she was, from
the merely physical point of view, transcendently beautiful. His first
impression of her, indeed, had been that she was merely an unusually
good example of a type by no means rare in that region. But ere long
he became sensible of a spiritual quality in her which lifted her to a
level far above that which can be attained by mere harmony of features
and proportions. Beneath the outward aspect lay a profound depth of
being, glimpses of which were occasionally discernible through her eyes,
in the tones of her voice, in her smile, in unconscious movements of
her hands and limbs. Demonstrative she could never be; but she could,
at will, feel with tropical intensity, and act with the swiftness and
energy of a fanatic.
In Miriam’s company, Freeman forgot every one save her,--even
himself,--though she certainly made no effort to attract him or (beyond
the commonplaces of courtesy) to interest him. Consequently he had
become entirely oblivious of the existence of such a person as Grace
Parsloe, when, much to his irritation, he heard the voice of that young
lady, mingled with others, approaching along the veranda. At the same
moment he experienced acute regret at the whim of fortune which had made
himself and that sprightly young lady fellow-passengers from Panama, and
at the idle impulse which had prompted him to flirt with her.
But the past was beyond remedy: it was his concern to deal with the
present. In a few seconds, Grace entered the curiosity-room, followed by
Professor Meschines, and by a dashing young Mexican senor, whom Freeman
had met the previous evening, and who was called Don Miguel de Mendoza.
The senor, to judge from his manner, had already fallen violently in
love with Grace, and was almost dislocating his organs of speech in the
effort to pay her romantic compliments in English. Freeman observed this
with unalloyed satisfaction. But the look which Grace bent upon him and
Miriam, on entering, and the ominous change which passed over her mobile
countenance, went far to counteract this agreeable impression.
Public-domain text, read in full here on John Shaqi.
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