Edith followed him with her eyes, a little wistfully; she heard the
outer door close, and still sat at the table, turning over the pile of
notes at her plate, and thinking of many things--things that it began
to dawn upon her mind could not be done, and things of immediate urgency
that must be done. Life did not seem quite such a simple problem to her
as it had looked a year ago. That there is nothing like experiment to
clear the vision is the general idea, but oftener it is experience
that perplexes. Indeed, Edith was thinking that some things seemed much
easier to her before she had tried them.
As she sat at the table with a faultless morning-gown, with a bunch of
English violets in her bosom, an artist could have desired no better
subject. Many people thought her eyes her best feature; they were large
brown eyes, yet not always brown, green at times, liquid, but never
uncertain, apt to have a smile in them, yet their chief appealing
characteristic was trustfulness, a pure sort of steadfastness, that
always conveyed the impression of a womanly personal interest in the
person upon whom they were fixed. They were eyes that haunted one like a
remembered strain of music. The lips were full, and the mouth was drawn
in such exquisite lines that it needed the clear-cut and emphasized
chin to give firmness to its beauty. The broad forehead, with arching
eyebrows, gave an intellectual cast to a face the special stamp of which
was purity. The nose, with thin open nostrils, a little too strong for
beauty, together with the chin, gave the impression of firmness and
courage; but the wonderful eyes, the inviting mouth, so modified this
that the total impression was that of high spirit and great sweetness
of character. It was the sort of face from which one might expect
passionate love or unflinching martyrdom. Her voice had a quality the
memory of which lingered longer even than the expression of her eyes; it
was low, and, as one might say, a fruity voice, not quite clear, though
sweet, as if veiled in femineity. This note of royal womanhood was also
in her figure, a little more than medium in height, and full of natural
grace. Somehow Edith, with all these good points, had not the
reputation of a belle or a beauty--perhaps for want of some artificial
splendor--but one could not be long in her company without feeling
that she had great charm, without which beauty becomes insipid and even
commonplace, and with which the plainest woman is attractive.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account