The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
“You are Mr. Olympio?” I said as I shook his hand.
“Quite right,” he replied in a singularly soft and musical voice,
adding, “I bid you welcome to Adena. Will you please to come in?”
I followed him into the house, a mud-built thatched cottage of three
rooms, and immediately became aware of an aromatic and savoury odour,
and perceived with great content that preparations--of a somewhat
primitive nature indeed--had been made for a meal.
I was not the only guest, it appeared, for, as I entered, a native in
European dress--what is locally known as a “scholar man”--rose to
greet me. He was the very antithesis of Olympio--big, burly, black as
the ace of spades, and full of the boisterous humour and high spirits
of the typical African; and as he gripped me by the hand and bid me
welcome to Adena his joy overflowed in little gurgles of laughter.
“Glad to see you, Mr. Englefield,” he said in a deep buzzing bass. “I
hear your name plenty time but never see you. Now I see you very fine
gentleman. Ha! ha! ha!” Here he leered at Olympio, who keckled softly
and rubbed his hands.
“Mr. Englefield smell de palaver sauce, hey! Olympio?” continued my
new friend, whose name, by the way, was David Annan. “You like dis
country chop, sah?”
I replied that I had very little acquaintance with African cookery.
“Aha! no! You no get fine country wife like Olympio to make you
palaver sauce. Dis yer Olympio he sabby what be good. He sabby fine
chop, fine liquor, fine girl. He very bad man, sah, ha! ha!”
He laughed uproariously, and certainly the picture of the little
wizened mulatto in the character of a _bon vivant_ and lady-killer was
not without its comic side. But these flights of wit were cut short by
the appearance of a handsome, light-coloured Fanti woman who carried a
deep, black clay dish, and was followed by a procession of small girls
and boys each bearing some adjunct to the feast, and soon the little
table, with its red and yellow-striped cloth, groaned under a burden
of delicacies. The black dish was filled with a gorgeous
orange-coloured palm oil stew, while smaller but similar receptacles
exhibited such dainties as kiki, or okro stew, rolls of fufu, looking
like gelatinous suet puddings, stuffed egg-fruit, large red capsicums
and piles of green and red chillis.
Public-domain text, read in full here on John Shaqi.
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