The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
There were no drawers inside, but in place of them a flat copper box
which stood upright in the cavity and fitted it exactly. The green,
encrusted condition of this box seemed to indicate that it was not
often taken out, and when I drew it forth and tried to open it, the
close-fitting lid was jammed to so tightly that I had to prise it open
with my knife, when I found that it had an air-tight flange like the
lid of a snuff box. Inside the box, and exactly fitting it, was a
small folio volume bound in parchment. This I supposed to be Olympio’s
book of accounts, but I nevertheless shook it out of its case and
turned back the cover, when I perceived a pale and faded inscription
on the fly leaf in an odd, crabbed handwriting, but yet adorned with
several expert flourishes.
This was the inscription: “The Journall of Barnabas Hogg, Master of
the ship _Mermaid_, of Bristol City. 1641-16--” The second date was
not filled in, and I surmised that the journal and its writer had
together come to an untimely end in the roaring surf of Adáffia
beach. This was rendered more probable by the fact that the book had
remained in its hiding-place, for, had the Captain survived he would
presumably have taken his journal with him: a view which received
confirmation when I turned up the last entry, which was near the end
of the volume, and read:
“16 June (1643). We are still at anchor off Adáffia, but shall not
remain here since there seemeth to be little trade with this wild and
turbulent people who have brought us but a few elephant’s teeth (and
those very small and poor) and some teeth of river horses. Moreover
the sudden storms of this season of the year do make this roadstead
most perilous for ships to anchor in.”
That was the end of the journal. Doubtless on the day following, the
very danger that the Captain had foreseen overtook the ship, and as
for poor Master Barnabas himself and his hearts of oak, they all
probably perished in the surf or fell victims to the “wild and
turbulent” people of the coast villages.
There was something very solemn in this unexpected meeting with the
quaint and musty little volume. On that June evening, more than two
centuries ago, the final entry had been written and the book put away
by the methodical Master of the good ship _Mermaid_. And there it had
in all probability remained, unseen by human eye, its very existence
forgotten, while generation after generation was born and passed away,
while dynasties rose, flourished and decayed. As I turned over its
yellow leaves covered with faded writing I felt like one holding
converse with the dead (as indeed I was), and so fell into a train of
meditation from which I was at length aroused by the little American
clock in the sitting-room banging out with blatant modernity the hour
of midnight. So I rose, knocked out my pipe, replaced and closed up
the secret cupboard, and, having deposited the journal in my dispatch
box, turned into bed.
Public-domain text, read in full here on John Shaqi.
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