The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
“I’m not taking any offence as long as you don’t interfere with what
doesn’t concern you. If you want to know what the row was about, I’ll
tell you----”
“Not here,” I urged.
“And why not here?” demanded the other, blazing up into sudden wrath.
“D’ye suppose I’m afraid to speak before any putty-faced Dutchman that
ever trod the rotten deck of a Baltic sea-knacker? I’ll speak where I
please and say what I like; and what I mean to say is that these
damned Scandinavians are the pest of the high seas. Why, devil take
it! they navigate their ricketty derelicts as if they’d served their
time in Noah’s Ark. Perhaps one of ’em did, too,” he added, with a
sour grin all on one side of his face, “and then I’d lay anything that
it was his watch on deck when she got ashore on Mount Ararat.”
A chorus of guffaws greeted this sally and threatened to bring the
quarrel to a crisis, for the Norwegian, who had reseated himself, now
rose, crimson in the face and, thrusting his hand under the skirt of
his coat, stepped forward, shouting hoarsely:
“You are a dommed liar--a cursed, ugly-faced wrecker, and I am going
to show you----”
“Here, Oi say, none o’ that!” interposed the jolly smacksman at this
juncture, for a broad-bladed “green-river” had made its appearance
from under the foreign sailor’s coat. “Do what ye loike with yer
fists, but no cold iron without you want to find yer head jammed in
the bight of a rope.”
“Let me go!” roared the Norwegian, struggling in the grasp of the
smacksman and a couple of sturdy colliers, “let me get at him! I am
going to show him something.”
“Well, let’s see what he’s going to show me,” said the Englishman,
pushing forward with a very ugly expression on his unsymmetrical face.
“Don’t be a fool, mate,” said the smacksman interposing his massive
person between the belligerents, adding in a lower tone, “They’ve sent
for the police, I think.”
Thinking this a favourable opportunity to intervene, I laid my hand on
the Englishman’s arm.
“Come,” I said coaxingly, “this won’t do, you know. For a man in your
position--a stranger in the town, too--to be mixed up in a tavern
brawl with people like this,” and I nodded vaguely at the company in
general. I had no idea what the man’s position was, but it seemed a
politic thing to say, and so it turned out, for he faced me with a
mollified growl that encouraged me to proceed. “I’m sure it wouldn’t
suit you to be involved in any scandal here. Why not come and have a
drink with me somewhere else? Come along. I want to hear all about
this.”
“Perhaps you’re right,” he replied in a quieter tone, and was turning
towards the door when it suddenly opened and a tall elderly man in a
peaked cap and black uniform entered.
“Here’s Muster Jenkins,” announced the smacksman as the newcomer,
raising his hand, inquired in rounded oratorical tones:
“What’s hall this disgraceful noise and riot about?”
Public-domain text, read in full here on John Shaqi.
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