He started, and, even as he did so, was aware that, after he had
succeeded in this great adventure, things--that is, life--would never be
quite the same again. He knew by now every stage of the first half of
his journey. The first instalment was defined by that picture of the
garden and the roses and the peacocks; the second by the beginning of
the square brown nursery table; and here there was always a swift and
very testing temptation to cling, with a sticky hand, to the hard and
shining corner. The third division was the end of the nursery table
where one was again tempted to give the corner a final clutch before
passing forth into the void. After this there was nothing, no rest, no
possible harbour until the end.
Off Ernest Henry started. He could see his father, there in the long
distance, busied with his paper; he could see the nursery table, with
bright-blue and red reels of cotton that nurse had left there; he could
see a discarded railway engine that lay gaping there half-way across,
ready to catch and trip him if he were not careful. His eyes were like
saucers, the hissing noise came from between his teeth, his forehead
frowned. He passed the peacock, he flung contemptuously aside the
proffered corner of the table; he passed, as an Atlantic liner passes
the Eddystone, the table's other end; he was on the last stretch.
Then suddenly he paused. He lifted his head, caught with his eye a pink,
round cloud that sailed against the evening blue beyond the window,
heard the harpist, heard his father turn and exclaim, as he saw him.
He knew, as he stood there, that at last the moment had come. His friend
had returned.
All the room was buzzing with it. The dolls fell in a neglected heap,
the train on the carpet, the fire behind the fender, the reels of cotton
that were on the table--they all knew it.
His friend had returned.
His impulse was, there and then, to sit down.
His friend was whispering: "Come along!... Come along!... Come along!"
He knew that, on his surrender, his father would make sounds like,
"Well, old man, tired, eh? Bed, I suggest." He knew that bed would
follow. Then darkness, then his friend.
For an instant there was fierce battle between the old forces and the
new. Then, with his eyes upon his father, resuming that hiss that is
proper only to ostlers, he continued his march.
He reached the wall. He caught his father's leg. He was raised on to his
father's lap, was kissed, was for a moment triumphant; then suddenly
burst into tears.
"Why, old man, what's the matter?"
But Ernest Henry could not explain. Had he but known it he had, in that
rejection of his friend, completed the first stage of his "Pilgrimage
from this world to the next."
CHAPTER III
ANGELINA
I
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account