The Golden Treasury: Selected from the Best Songs and Lyrical Poems in the English Language and arranged with Notes
General
The Golden Treasury: Selected from the Best Songs and Lyrical Poems in the English Language and arranged with Notes
English poetry; Songs, English -- Texts
148 165 The Royal George, of 108 guns, whilst undergoing a partial
careening at Spithead, was overset about 10 A.M. Aug. 29, 1782. The
total loss was believed to be nearly 1000 souls.--This little poem
might be called one of our trial-pieces, in regard to taste. The
reader who feels the vigour of description and the force of pathos
underlying Cowper's bare and truly Greek simplicity of phrase, may
assure himself _se valde profecisse_ in poetry.
151 167 A little masterpiece in a very difficult style: Catullus
himself could hardly have bettered it. In grace, tenderness,
simplicity, and humour, it is worthy of the Ancients: and even more
so, from the completeness and unity of the picture presented.
155 172 Perhaps no writer who has given such strong proofs of the
poetic nature has left less satisfactory poetry than Thomson. Yet this
song, with 'Rule Britannia' and a few others, must make us regret that
he did not more seriously apply himself to lyrical writing.
156 174 With what insight and tenderness, yet in how few words, has
this painter-poet here himself told _Love's Secret!_
157 177 l. 1 _Aeolian lyre_: the Greeks ascribed the origin of their
Lyrical Poetry to the Colonies of Aeolis in Asia Minor.
158 -- _Thracia's hills_ (l. 9) supposed a favourite resort of Mars.
_Feather'd king_ (l. 13) the Eagle of Jupiter, admirably described by
Pindar in a passage here imitated by Gray. _Idalia_ (l. 19) in Cyprus,
where _Cytherea_ (Venus) was especially worshipped.
159 -- l. 6 _Hyperion_: the Sun. St. 6-8 allude to the Poets of the
Islands and Mainland of Greece, to those of Rome and of England.
160 -- l. 27 _Theban Eagle_: Pindar.
163 178 l. 5 _chaste-eyed Queen_: Diana.
164 179 From that wild rhapsody of mingled grandeur, tenderness, and
obscurity, that 'medley between inspiration and possession,' which
poor Smart is believed to have written whilst in confinement for
madness.
165 181 _the dreadful light_: of life and experience.
166 182 _Attic warbler_: the nightingale.
168 184 _sleekit_, sleek: _bickering brattle_, flittering flight: _laith_,
loth: _pattle_, ploughstaff: _whyles_, at times: _a daimenicker_, a
corn-ear now and then: _thrave_, shock: _lave_, rest: _foggage_,
after-grass: _snell_, biting: _but hald_, without dwelling-place: _thole_,
bear: _cranreuch_, hoar-frost: _thy lane_, alone: _a-gley_, off the right
line, awry.
175 188 _stoure_, dust-storm; _braw_, smart.
176 189 _scaith_, hurt: _tent_, guard: _steer_, molest.
177 191 _drumlie_, muddy: _birk_, birch.
178 192 _greet_, cry: _daurna_, dare not.--There can hardly exist a
poem more truly tragic in the highest sense than this: nor, perhaps,
Sappho excepted, has any Poetess equalled it.
Public-domain text, read in full here on John Shaqi.
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