"Right hand and left leg; left hand and right leg: what does it matter
which we have saved, if we know how to use it? In what respect have we
fallen off? Whether it's a question of obtaining a position or
perpetuating our race, are we not as good as we were? And perhaps even
better. I venture to say that the children which we shall give to the
country will be just as well-built as ever, with arms and legs and the
rest . . . not to mention a mighty legacy of pluck and spirit. That's
what we claim, Little Mother Coralie. We refuse to admit that our wooden
legs keep us back or that we cannot stand as upright on our crutches as
on legs of flesh and bone. We do not consider that devotion to us is any
sacrifice or that it's necessary to talk of heroism when a girl has the
honor to marry a blind soldier! Once more, we are not creatures outside
the pale. We have not fallen off in any way whatever; and this is a
truth before which everybody will bow for the next two or three
generations. You can understand that, in a country like France, when
maimed men are to be met by the hundred thousand, the conception of what
makes a perfect man will no longer be as hard and fast as it was. In the
new form of humanity which is preparing, there will be men with two arms
and men with only one, just as there are fair men and dark, bearded men
and clean-shaven. And it will all seem quite natural. And every one will
lead the life he pleases, without needing to be complete in every limb.
And, as my life is wrapped up in you, Little Mother Coralie, and as my
happiness depends on you, I thought I would wait no longer before making
you my little speech. . . . Well! That's finished! I have plenty more to
say on the subject, but it can't all be said in a day, can it? . . ."
He broke off, thrown out of his stride after all by Coralie's silence.
She had not stirred since the first words of love that he uttered. Her
hands had sought her forehead; and her shoulders were shaking slightly.
He stooped and, with infinite gentleness, drawing aside the slender
fingers, uncovered her beautiful face:
"Why are you crying, Little Mother Coralie?"
He was calling her _tu_ now, but she did not mind. Between a man and the
woman who has bent over his wounds relations of a special kind arise;
and Captain Belval in particular had those rather familiar, but still
respectful, ways at which it seems impossible to take offence.
"Have _I_ made you cry?" he asked.
"No," she said, in a low voice, "it's all of you who upset me. It's your
cheerfulness, your pride, your way not of submitting to fate, but
mastering it. The humblest of you raises himself above his nature
without an effort; and I know nothing finer or more touching than that
indifference."
He sat down beside her:
"Then you're not angry with me for saying . . . what I said?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account