The golden verses of PythagorasFabre d'Olivet, Antoine
Religion
The golden verses of Pythagoras
Fabre d'Olivet, Antoine
Poetry -- History and criticism; Pythagoras and Pythagorean school
It must candidly be admitted, that it is to the very charm of these
tableaux, to the talent with which Euripides understood how to colour
them, that the decadence of Athenian manners and the first harm done
to the purity of religion must be attributed. The theatre, having
become the school of the passions, and offering to the soul no
spiritual nourishment, opened a door through which doubt, contempt,
and derision for the mysteries, the most sacrilegious audacity, and
utter forgetfulness of the Divinity, insinuated themselves even unto
the sanctuaries. Æschylus had represented in his heroes, supernatural
personages[163]; Sophocles painted simple heroes, and Euripides,
characters often less than men.[164] Now these personages were, in the
eyes of the people, either children of the gods, or the gods
themselves. What idea could be formed then of their weaknesses, of
their crimes, of their odious or ridiculous conduct, particularly when
these weaknesses or these crimes were no longer represented as
allegories from which it was necessary to seek the meaning, but as
historical events or frivolous plays of the imagination? The people,
according to the degree of their intelligence, became either impious
or superstitious; the savants professed to doubt all, and the
influential men, by feigning to believe all, regarded all parties with
an equal indifference. This is exactly what happened. The mysteries
became corrupt because one was accustomed to regard them as corrupt;
and the people became intolerant and fanatical, each one cringing with
fear, lest he be judged what he really was, namely, impious.
Such was the effect of dramatic art in Greece. This effect, at first
imperceptible, became manifest to the eyes of the sages, when the
people became the dictators of the theatre and ignored the judges
named to pronounce upon the works of the poets; When the poets,
jealous of obtaining the approval of the multitude, consulted its
taste rather than truth, its versatile passions rather than reason,
and sacrificed to its caprices the laws of honesty and excellence.[164]
Public-domain text, read in full here on John Shaqi.
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