The "Goldfish": Being the Confessions af a Successful ManTrain, Arthur Cheney
General
The "Goldfish": Being the Confessions af a Successful Man
Train, Arthur Cheney
Leisure class; Wealth -- Moral and ethical aspects
At any rate, it occurred to me sharply, as I had but a few more years of
effective life, did it not behoove me to pause and see, if I could, in
what direction I was going?--to "stop, look and listen"?--to take
account of stock?--to form an idea of just what I was worth physically,
mentally and morally?--to compute my assets and liabilities?--to find
out for myself by a calm and dispassionate examination whether or not I
was spiritually a bankrupt? That was the hideous thought which like a
deathmask suddenly leered at me from behind the arras of my mind--that I
counted for nothing--cared really for nothing! That when I died I should
have been but a hole in the water!
The previous evening I had taken my two distinctly blasé daughters to
see a popular melodrama. The great audience that packed the theater to
the roof went wild, and my young ladies, infected in spite of themselves
with the same enthusiasm, gave evidences of a quite ordinary variety of
excitement; but I felt no thrill. To me the heroine was but a painted
dummy mechanically repeating the lines that some Jew had written for her
as he puffed a reeking cigar in his rear office, and the villain but a
popinjay with a black whisker stuck on with a bit of pitch. Yet I
grinned and clapped to deceive them, and agreed that it was the most
inspiriting performance I had seen in years.
In the last act there was a horserace cleverly devised to produce a
convincing impression of reality. A rear section of the stage was made
to revolve from left to right at such a rate that the horses were
obliged to gallop at their utmost speed in order to avoid being swept
behind the scenes. To enhance the realistic effect the scenery itself
was made to move in the same direction. Thus, amid a whirlwind of
excitement and the wild banging of the orchestra, the scenery flew by,
and the horses, neck and neck, raced across the stage--without
progressing a single foot.
And the thought came to me as I watched them that, after all, this
horserace was very much like the life we all of us were living here in
the city. The scenery was rushing by, time was flying, the band was
playing--while we, like the animals on the stage, were in a breathless
struggle to attain some goal to which we never got any nearer.
Now as I smoked my cigarette after breakfast I asked myself what I had
to show for my fifty years. What goal or goals had I attained? Had
anything happened except that the scenery had gone by? What would be the
result should I stop and go with the scenery? Was the race profiting me
anything? Had it profited anything to me or anybody else? And how far
was I typical of a class?
Public-domain text, read in full here on John Shaqi.
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