The Good Gray Poet, A VindicationO'Connor, William Douglas
General
The Good Gray Poet, A Vindication
O'Connor, William Douglas
Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
history—glimmers here, far in these depths, and makes this unexplored
obscurity divine. “But is the _Faëry Queen_ such a book as you would
wish to put into the hands of a lady?” What a question! Has it not been
expurgated? Out with Spenser!—Here is another, a true soldier of the
human emancipation; one who smites amidst uproars of laughter; the
master of Titanic farce; a whirlwind and earthquake of
derision—Rabelais. A nice one for Mr. Harlan! One glimpse at the
chapter which explains why the miles lengthen as you leave Paris, or at
the details of the birth and nurture of Gargantua, will suffice. Out
with Rabelais—out with the great jester of France, as Lord Bacon calls
him!—And here is Lord Bacon himself, in one of whose pages you may
read, done from the Latin by Spedding into a magnificent golden thunder
of English, the absolute defence of the free spirit of the great
authors, coupled with stern rebuke to the spirit that would pick and
choose, as dastard and effeminate. Out with Lord Bacon! Not him only,
not these only, not only the writers are under the ban. Here is Phidias,
gorgeous sculptor in gold and ivory, giant dreamer of the Infinite in
marble; but he will not use the fig-leaf. Here is Rembrandt, who paints
the Holland landscape, the Jew, the beggar, the burgher, in lights and
glooms of Eternity; and his pictures have been called “indecent.” Here
is Mozart, his music rich with the sumptuous color of all sunsets; and
it has been called “sensual.” Here is Michael Angelo, who makes art
tremble with a new and strange afflatus, and gives Europe novel and
sublime forms that tower above the centuries, and accost the Greek; and
his works have been called “bestial.” Out with them all!—Now, except
Virgil for vassalage to literary models, and for grave and sad falsehood
to liberty; except Goethe for his lack of the final ecstasy of
self-surrender which completes a poet, and for coldness to the great
mother—one’s country; except Spenser for his remoteness, and Byron for
his immaturity, and there is not one of those I have named that does not
belong to the first order of human intellect. But no need to make
discriminations here; they are all great; they have all striven; they
have all served. Moses, Homer, Lucretius, Æschylus, Ezekiel, Dante, Job,
Plutarch, Herodotus, Tacitus, Shakespeare, Solomon, Isaiah, Montaigne,
Hafiz, Virgil, Swedenborg, Goethe, Byron, Cervantes, Hugo, Juvenal,
John, Spenser, Rabelais, Bacon, Phidias, Rembrandt, Mozart,
Angelo:—these are among the demi-gods of human thought; the souls that
have loved and suffered for the race; the light-bringers, the teachers,
the lawgivers, the consolers, the liberators, the inspired inspirers of
mankind; the noble and gracious beings who, in the service of humanity,
have borne every cross and earned every crown. There is not one of them
that is not sacred in the eyes of thoughtful men. But not one of them
does the rotten taste and morals of the nineteenth century spare! Not
Public-domain text, read in full here on John Shaqi.
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