The Good Gray Poet, A VindicationO'Connor, William Douglas
General
The Good Gray Poet, A Vindication
O'Connor, William Douglas
Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
and absolute sunrise! It is all our own! The nation is in it! In form a
series of chants, in substance it is an epic of America. It is
distinctively and utterly American. Without model, without imitation,
without reminiscence, it is evolved entirely from our own polity and
popular life. Look at what it celebrates and contains!—hardly to be
enumerated without sometimes using the powerful, wondrous phrases of its
author, so indissoluble are they with the things described. The
essences, the events, the objects of America; the myriad varied
landscapes; the teeming and giant cities; the generous and turbulent
populations; the prairie solitudes; the vast pastoral plateaus; the
Mississippi; the land dense with villages and farms; the habits,
manners, customs; the enormous diversity of temperatures; the immense
geography; the red aborigines passing away, “charging the water and the
land with names;” the early settlements; the sudden uprising and
defiance of the Revolution; the august figure of Washington; the
formation and sacredness of the Constitution; the pouring in of the
emigrants; the million-masted harbors; the general opulence and comfort;
the fisheries, and whaling, and gold-digging, and manufactures, and
agriculture; the dazzling movement of new States, rushing to be great;
Nevada rising, Dakota rising, Colorado rising; the tumultuous
civilization around and beyond the Rocky Mountains thundering and
spreading; the Union impregnable; feudalism in all its forms forever
tracked and assaulted; liberty deathless on these shores; the noble and
free character of the people; the equality of male and female; the
ardor, the fierceness, the friendship, the dignity, the enterprise, the
affection, the courage, the love of music, the passion for personal
freedom; the mercy and justice and compassion of the people; the popular
faults and vices and crimes; the deference of the President to the
private citizen; the image of Christ forever deepening in the public
mind as the brother of despised and rejected persons; the promise and
wild song of the future; the vision of the Federal mother, seated with
more than antique majesty in the midst of her many children; the pouring
glories of the hereafter; the vistas of splendor, incessant and
branching; the tremendous elements, breeds, adjustments of America—with
all these, with more, with every thing transcendent, amazing, and new,
undimmed by the pale cast of thought, and with the very color and brawn
of actual life, the whole gigantic epic of our continental being unwinds
in all its magnificent reality in these pages. To understand Greece,
study the _Iliad_ and _Odyssey_; study _Leaves of Grass_ to understand
America. Her Democracy is there. Would you have a text-book of
Democracy? The writings of Jefferson are good; De Tocqueville is better;
but the great poet always contains historian and philosopher—and to
know the comprehending spirit of this country, you shall question these
insulted pages.
Public-domain text, read in full here on John Shaqi.
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