The Good Gray Poet, A VindicationO'Connor, William Douglas
General
The Good Gray Poet, A Vindication
O'Connor, William Douglas
Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
to a comrade; grinning, meanwhile, good fellow, with shy, spontaneous
affection and deference; his ruddy, broad face glowing in the flare of
the lampions. I remember, on another occasion, as I crossed the street
with him, the driver of a street car, a stranger, stopping the
conveyance, and inviting him to get on and ride with him. Adventures of
this kind are frequent, and, “I took a fancy to you,” or, “You look like
one of my style,” is the common explanation he gets upon their
occurrence. It would be impossible to exaggerate the personal adhesion
and strong, simple affection given him, in numerous instances on sight,
by multitudes of plain persons—sailors, mechanics, drivers, soldiers,
farmers, sempstresses, old people of the past generation, mothers of
families—those powerful, unlettered persons, among whom, as he says in
his book, he has gone freely, and who never in most cases even suspect
as an author him whom they love as a man, and who loves them in
return.—His intellectual influence upon many young men and
women—spirits of the morning sort, not willing to belong to that
intellectual colony of Great Britain which our literary classes compose,
nor helplessly tied like them to the old forms—I note as kindred to
that of Socrates upon the youth of ancient Attica, or Raleigh upon the
gallant young England of his day. It is a power at once liberating,
instructing, and inspiring.—His conversation is a university. Those who
have heard him in some roused hour, when the full afflatus of his spirit
moved him, will agree with me that the grandeur of talk was
accomplished. He is known as a passionate lover and powerful critic of
the great music and of art. He is deeply cultured by some of the best
books, especially the Bible, which he prefers above all other great
literature; but principally by contact and communion with things
themselves, which literature can only mirror and celebrate. He has
travelled through most of the United States, intent on comprehending and
absorbing the genius and meaning of his country, that he might do his
best to start a literature worthy of her, sprung from her own polity,
and tallying her own unexampled magnificence among the nations. To the
same end, he has been a long, patient, and laborious student of life,
mixing intimately with all varieties of experience and men, with
curiosity and with love. He has given his thought, his life, to this
beautiful ambition, and, still young, he has grown gray in its service.
He has never married; like Giordano Bruno, he has made Thought in the
service of his fellow-creatures his _bella donna_, his best beloved, his
bride. His patriotism is boundless. It is no intellectual sentiment; it
is a personal passion. He performs with scrupulous fidelity and zeal,
the duties of a citizen. For eighteen years, not missing once, his
ballot has dropped on every national and local election day, and his
influence has been ardently given, for the good cause. Of all men I
Public-domain text, read in full here on John Shaqi.
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