Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
What clung to Marian’s soul was an immemorial prejudice against a
gipsy’s life and a stroller’s fate. Her ancestors and her husband’s had
always earned their livelihood in the honest ways of a trade. She could
not see what the free tuition at Döderlein’s conservatory would avail
Daniel, since he had nothing wherewithal to sustain life. He told her
that Spindler had taught him how to play on the piano, that he would
perfect his skill and so earn his sustenance. She shook her head. Then
he spoke to her of the greatness of art, of the ecstasy which an artist
could communicate and the immortality he might win, and that perhaps it
would be granted him to create something unique and incomparable. But
these words she thought mad and pretentious delusions, and smiled
contemptuously. And at that his soul turned away from her, and she
seemed a mother to him no more.
When Jason Philip Schimmelweis learned what was afoot, he would not let
the troublesome journey deter him, but appeared in Marian’s shop like an
avenging angel. Daniel feared him no longer, since he had given up
hoping for anything from him. He laughed to himself at the sight of the
stubby, short-necked man in his rage. Gleams of mockery and of cunning
still played over the red cheeks of Jason Philip, for he had a very high
opinion of himself, and did not think the windy follies of a boy of
nineteen worthy of the whole weight of his personality.
While he talked his little eyes sparkled, and his red, little tongue
pushed away the recalcitrant hairs of his moustache from his voluble
lips. Daniel stood by the door, leaning against the post, his arms
folded across his chest, and regarded now his mother, who, dumb and
suddenly old, sat in a corner of the sofa, now the oil portrait of his
father on the opposite wall. A friend of Gottfried Nothafft’s youth, a
painter who had been long lost and forgotten like his other works, had
once painted it. It showed a man of serious bearing, and brought to mind
the princely guildsman of the Middle Ages. Seeing the picture at that
moment enlightened Daniel as to the ancestral strain that had brought
him to this mood and to this hour.
And turning now once more to Jason Philip’s face, he thought he
perceived in it the restlessness of an evil conscience. It seemed to him
that this man was not acting from conviction but from an antecedent
determination. It seemed to him further that he was faced, not merely by
this one man and his rage and its accidental causes, but by a whole
world in arms that was pledged to enmity against him. He had no
inclination now to await the end of Jason Philip’s oratorical efforts,
and left the room.
Jason Philip grew pale. “Don’t let us deceive ourselves, Marian,” he
said. “You have nursed a viper on your bosom.”
Public-domain text, read in full here on John Shaqi.
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