Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
A woman with a stern face and unusually large eyebrows asked her what
she wanted as she entered the little shop, which smelled of vinegar and
cheese.
Eleanore replied that she would like to talk with her for a few minutes
quite undisturbed and alone.
The profound seriousness of Marian’s features, which resembled more than
anything else an incurable suffering, did not disappear. She closed the
shop and took Eleanore into the living room, and, without saying a word,
pointed to one chair and took another herself.
Above the leather sofa hung the picture of Gottfried Nothafft. Eleanore
looked at it for a long while.
“Dear mother,” she finally began, laying her hand on Marian’s knee. “I
am bringing you something from Daniel.”
Marian twitched. “Good or bad?” she asked. She had not heard from Daniel
for twenty-two months. “Who are you?” she asked, “what have you to do
with him?”
Eleanore saw at once that she would have to be extremely cautious if she
did not wish to offend the sensitive—and offended—woman by some
inconsiderate remark. With all the discrimination she could command she
laid her case before Daniel’s mother.
And behold—the unusual became usual, just as the natural seemed
strange. Eleanore pictured Daniel’s hardships and rise to fame, boasted
loyally of his talents and of the enthusiasm for him of those who
believed in him, referred to his future renown, and insisted that all
his guilt, including that toward his mother, be forgotten and forgiven.
Marian reviewed the past; she understood a great many things now that
were not clear to her years ago; she understood Daniel better; she
understood virtually everything, except this girl’s relation to him and
the girl herself. If it was peculiar that this strange woman had to come
to her to tell her who Daniel was and what he meant to the people, it
was wholly inexplicable that she had brought some one with her who had
been the sweetheart of the very man for whom she now showed unreserved
affection.
Eleanore read Marian’s face and became a trifle more deliberate. It
occurred to her, too, to ask herself a few questions: What am I, any
way? What is the matter with me?
She could not give a satisfactory answer to these questions. His friend?
He my friend? The words seemed to contain too much peace and calm.
Brother? Companion? Either of these words brought up pictures of
intimate association, inner relationship. Little Brother! Yes, that is
what she had called out to him once from behind the mask. Well then:
Little sister behind the mask?
Public-domain text, read in full here on John Shaqi.
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