Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
The hardest of all for Marian was to get along with old Jordan; for he
was only a shadow of his former self. He never entered Daniel’s room; if
Marian wanted to see him she went upstairs, and there he sat, quiet,
helpless, extinguished, a picture of utter dereliction.
He never mentioned his sorrows; it made him restless to see that Marian
sympathised with him. When she did, he became quite courteous; he even
tried to act the part of a man of the world. The effect of this assumed
sprightliness, seen from the background of his physical impoverishment
and spiritual decay, was terrifying.
Marian hoped to hear something from him concerning Daniel’s present
situation. She knew, in a general way, that he was in profound distress,
that he was living in most straightened circumstances, and this worried
her tremendously. But she wanted to know how he stood in the world;
whether people felt there was anything to him; and whether music was
something from which a man could make a decent living. On this last
point her distrust was as strong as ever; her fear showed no signs of
weakening. It was Eleanore, and she only, that had given her a measure
of confidence: it seemed that Eleanore’s disposition, her very presence,
had inspired her with a vague, far-away idea of music. But now Eleanore
was gone, and all her old doubts returned.
Jordan however became painfully secretive whenever she referred to
Daniel. He seemed to be grieved at the mere mention of his name. He
would merely look at the door, tuck his hands up his coat-sleeves, and
draw his head down between his shoulders.
Once he said: “Can you explain to me, my good woman, why I am alive? Can
you throw any light on such a preposterous paradox as my present
existence? My son—a wretch, vanished without a trace, so far as I am
concerned no longer living. My daughters, both of them, in the grave; my
dear wife also. I have been a man, a husband, and a father; that is, I
have _been_ a father! My existence scorns the laws and purposes of
nature. To eat, to drink, to sleep—oh, what repulsive occupations! And
yet, if I do not eat, I get hungry; if I do not drink, I get thirsty; if
I do not sleep, I get sick. How simple, how aimless it all is! For me
the birds no longer sing, the bells no longer ring, the musicians have
no more music.”
Public-domain text, read in full here on John Shaqi.
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