Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
One evening, along towards spring, he chanced to go into the backyard to
feed Cæsar. He looked up, and saw Marguerite standing on the balcony.
She did not see him, for she was also looking up. On the balcony of the
second floor, across the court from her, stood Friedrich Benda,
responding to some mute signals Marguerite was giving him. Finally they
both stopped and merely looked at each other, until Marguerite caught
sight of her brother, when she quickly disappeared behind the glass door
draped with green curtains.
“Aha,” thought Carovius, “there’s something up.” The scene warmed his
very blood.
From that day on he avoided the court. He sat instead for hours at a
time in a room from which he could look out through a crack and see
everything that was taking place at the windows and on the balconies. He
discovered that signals were being sent from the first floor up to the
second by changing the position of a flower pot on the railing of the
balcony, and that these signals were answered by having a yellow cloth
flutter on now a vertical, now a horizontal pole.
At times Marguerite would come out quite timidly, and look up; at times
Benda appeared, and stood for a while at the window completely
absorbed, as it seemed, in melancholy thoughts. Herr Carovius caught
them together but on one single occasion. He opened the window as
quickly as he could, and placed his ear so that he could hear what was
being said, but it so happened that over in the adjoining yard some one
was just then nailing a box together. As a result of the noise it was
impossible for him to understand their remarks.
Since that day they exchanged no more signals, and never again appeared
on the balcony.
Carovius rubbed his hands at the thought that the majestic Andreas
Döderlein had after all grown horns. But his joy waned when he reflected
that two other people were deriving profit from the situation. That
should not be; that had to be corrected.
And so he stood at times in the evening out in the narrow passage at the
entrance to his apartment. His bathrobe fell down over his bony body in
many folds. In his right hand he carried a candle. Thus equipped, he
listened in, or rather into, the stillness of the house.
At times he would take a dark lantern, walk up the stairs slowly, step
by step, and listen, listen with the greedy ears of a man who was
determined to hear something. There was something in the air that told
him of secret, and of course illicit, transactions.
Was it the same medium through which he learned of the weakening of
Marguerite’s mind and the beclouding of her soul? Was it this that told
him of her mental anxiety and the ever growing delusion of her terrified
and broken heart?
Public-domain text, read in full here on John Shaqi.
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