Benno Jordan was now a senior in the _gymnasium_ and had begun to play mischievous pranks. He also declared that he was no longer minded to tolerate the tyranny of the school, and that he had not the slightest desire to enter the university. He was a wilful, obstinate boy with a marked tendency to sociability. He paid a great deal of attention to his clothes, and was proud of his handsome face. After repeated conversations with the seventeen-year-old boy, Jordan decided to get him a job as a clerk in the offices of the Prudentia. He discussed the situation with the general agent, and Alfons Diruf gave his consent. Benno began his work at fifty marks a month. When Jordan would come home of an evening, the first thing he would hear from Eleanore was that Benno had an engagement with some of his friends, and that they were in the Alfas Garden, or in the Wolf’s Glen, or in Café Merkur, where the orchestrion, then a new invention, was being played for the first time. “Lord, what is to become of the next generation?” said Jordan, quite worried. “All they think about is having a good time. Why, I never in my whole life thought of merely amusing myself.” Anxious about Benno’s behaviour, Jordan called on the chief of the clerical department. The little man with the waxened, weazened, face expressed himself as quite satisfied with the new employé. Jordan took him by the hand; it was his way of displaying gratitude. And he was grateful, though it was hard for him to subdue a feeling of solicitude. He recognised the boy’s external amiability, but felt convinced that this merely covered and concealed a decayed soul. Alfons Diruf was obese and gloomy. His clothes were made in Paris, and on the ring finger of his left hand was a brilliant diamond. Since the Prudentia had introduced the so-called workmen’s insurance, the number of clerks on its payroll had been increased by about twenty-five thousand. Of these eighty-four were under Diruf’s direct supervision. They were located in three rooms of a house in Fürther Street. They were pale and they were silent. Diruf himself had a private office which resembled the boudoirs of a woman of the world. The curtains were of blue silk, a bathing nymph by Thumann hung on the wall, and the whole place smelled of musk. Three times a day he would leave his fair retreat, and, with the mien of disgust, make the rounds of the clerks’ quarters. When they saw him coming, heads ducked, hands scurried across the books, feet stopped scraping, and all whispering died out. He gave the impression of a man who hated his job, but in reality he loved it. He liked the clerks because of their servile docility and their famished faces. He liked them because they came promptly every morning and went away every evening tired as tired could be, and because day after day, year in and year out, they sat there and wrote, wrote, wrote.