Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
One night, after unending conversation had brought them both to
silence—like ships which, tossed about by the winds, at last drift into
the harbour—Benda, taking up with an angry, exasperated remark by
Daniel as it echoed back from the other shore of this silence, said: “We
must not be vain. We dare not usurp a privilege which has no other basis
than our inner task. We must never stand before our own picture. It
seems to me that an artist should be of exalted modesty, and that
without this modesty he is nothing but a more or less remarkable lout.”
Daniel looked up at once. Benda’s big teeth were visible under his bushy
moustache. He had a habit of pulling his lips apart whenever he was
searching for a really incisive word.
Benda continued: “The great majority of what you call talent is
ignominious. Talent is a feather duster. All that comes from the finger
tips is evil. The man who has a distinct goal and is willing to suffer
in order to reach it, that man we can use. And otherwise—how beautiful
it all is after all! Heaven is above us, the earth is beneath us, and in
between stands immortal man.”
Daniel got up, and seized Benda’s hand. There was nothing more
vanquishing than Benda’s handshake. His good strong right became a vise
in which he shook a man’s hand until it became limp, a perfectly
delightful benevolence radiating from his eyes in the meanwhile.
The two men exchanged the fraternal “thou.”
VII
Eleanore returned the copy of “Manon Lescaut.” When Daniel asked her
how she liked it, she never said a word. Since he thought that it was an
excellent book, he began to scold.
She said: “I cannot read books in which there is so much talk about
love.”
He gazed into space in order to allow her voice time to die away. There
was a violin tone in her speech, the charm of which he could not escape.
When he fully realised what she had said, he laughed a short laugh, and
remarked that her attitude was one of affected coyness. She shook her
head. Then he teased her about going with young Auffenberg, and asked
her whether real love affairs were just as disagreeable to her as those
related in novels.
The flaming blue of her eyes compelled him to look down. It was not
pleasant for him to admit, by action, that the expression in her face
was stronger than his own. She left, and did not allow herself to be
seen for a few days.
When she returned, he was naïve enough to renew his banter. She took her
seat on the corner sofa, and looked straight into his face: “Do we
really intend to remain friends, Daniel?” she asked.
He cast a side glance of amazement at her, not because he was
particularly struck by her charming suavity and marked winsomeness, but
rather because the violin tone in her throat resounded more strongly and
clearly than ever. But it was quite impossible for him to give an
affirmative reply to her question without puckering up his lips and
putting his hands in his trouser pockets.
Public-domain text, read in full here on John Shaqi.
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