That the William J. Burns agency is thus employed regularly by the Black Hand of Southern California is something which I have known for several years. Turn to Chapter LXVI of “The Brass Check,” and you will find there the story of how Sydney Flowers, returned soldier and editor of the “Dugout,” was smashed by the Black Hand in Los Angeles, because he refused to permit his paper to be used as a strike-breaking agency. I did what I could to aid Flowers and save him from the penitentiary, and as a result the Black Hand attempted a “frame-up” against myself. Wishing to know just who was responsible for this, I thought I would employ the most famous and most reputable detective agency in the United States. With my attorney, Mr. John Beardsley, I called at the office of this agency and interviewed the manager. As chance willed it, the district manager, the high-up person who travels about the country overseeing the affairs of the agency for Mr. Burns, was also present at the interview. I explained the case, confidentially of course, stating that I had suspicions that the trail might lead to the office of the Merchants’ and Manufacturers’ Association and its Los Angeles “Times,” and that I wished the agency not to take the case unless they would be in position to follow a trail to such a quarter. The two managers requested a little time to think the matter over, and that afternoon they gave us their decision: the William J. Burns Detective Agency, because of the embarrassing possibility explained by me, could not undertake to investigate this “frame-up.” Then I went to another detective agency in the city, and when I told the manager about this incident he laughed heartily and told me that the Burns Agency did all the secret work for the “M. and M.” Incidentally, this man told me that he himself could not take the case, because his business would be ruined if he did; nor would I find any other detective agency in the city which would take the case. And in this he was correct.