The Gostak and the DoshesBreuer, Miles J. (Miles John)
Science
The Gostak and the Doshes
Breuer, Miles J. (Miles John)
Fourth dimension -- Fiction; Science fiction; Short stories
I looked at him, holding my head in my hands.
“I couldn’t swear that I understand that,” I said slowly. “And I
repeat, that it looks like lifting yourself by your own bootstraps.”
The homely simile did not dismay him. He pointed a finger at me as he
spoke:
“You’ve seen a chip of wood bobbing on the ripples of a pond. Now you
think the chip is moving; now the water. Yet neither is moving; the
only motion is of an abstract thing called a wave.
“You’ve seen those ‘illusion’ diagrams, for instance this one of a
group of cubes. (Diagram is on opposite page.) Make up your mind that
you are looking down upon their upper surfaces, and indeed they seem
below you. Now change your mind, and imagine that you are down below,
looking up. Behold, you see their lower surfaces; you are indeed below
them. You have ‘gone somewhere,’ yet there has been no translation of
anything. You have merely changed coordinates.”
[Illustration: _Make up your mind that you are looking down upon the
upper surfaces of the cubes, and indeed they seem below you. Now change
your mind, and imagine that you are looking up. Behold, you see their
lower surfaces._]
“Which do you think will drive me insane more quickly--if you _show_ me
what you mean, or if you keep on talking without showing me?”
“I’ll try to show you. There are some types of mind, you know,
that cannot grasp the idea of relativity. It isn’t the mathematics
involved that matters; it’s just the inability of some types of mental
organization to grasp the fact that the mind of the observer endows his
environment with certain properties which have no absolute existence.
Thus, when you walk through the garden at night the moon floats from
one tree top to another. Is your mind good enough to invert this: make
the moon stand still and let the trees move backwards. Can you do that?
If so, you can ‘go somewhere’ into another dimension.”
* * * * *
Woleshensky rose and walked to the window. His office was an
appropriate setting for such a modern discussion as was ours; situated
in a new, ultramodern building on the University campus, the varnish
glossy, the walls clean, the books neatly arranged behind clean glass,
the desk in most orderly array; the office was just as precise and
modern and wonderful as the mind of its occupant.
“When do you want to go?” he asked.
“Now!”
Public-domain text, read in full here on John Shaqi.
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