The Gourmet's Guide to LondonNewnham-Davis, Lieut.-Col. (Nathaniel)
General
The Gourmet's Guide to London
Newnham-Davis, Lieut.-Col. (Nathaniel)
Restaurants -- England -- London -- Guidebooks
When the Ritz-Escoffier regime at the Savoy came to an end the
directors bought the Restaurant Marivaux in the street by the side of
the Opéra Comique in Paris, and brought over M. Joseph, the presiding
genius of that restaurant, to take charge of the Savoy Restaurant.
The Marivaux had a unique reputation in the Paris of that day for its
cookery. Joseph came, bringing with him his chef, M. Thouraud. Joseph
was, I think, the most inspired _maître d'hôtel_, with the exception,
perhaps, of Frederic of the Tour d'Argent, I have ever met. The Savoy
Restaurant was rather too large for his system of management, for he
liked to take a personal interest in each dinner that was progressing
in his restaurant and to give it his constant supervision. He was born
of French parents in Birmingham, and his one great amusement was that
northern sport, pigeon flying. He had pleasant brown eyes and bushy
eyebrows, he wore all that remained of his hair rather long, and had
a tiny moustache. He was quite wrapped up in his profession, and, as
he told me once, looked at his boots the whole time that he took his
afternoon constitutional walk, that he might think of new dishes.
Whenever any novel idea occurred to him he tried it at home in his
own little kitchen before asking M. Thouraud to make experiment on a
larger scale. To see Joseph carve a duck was to see a very splendid
exhibition of ornate swordsmanship, and his preparation of a _canard
à la presse_ was quite sacrificial in its solemnity. There was in his
day a dinner given at the Savoy at which Madame Sarah Bernhardt was the
chief guest, and most of the other people present were "stars" of our
British stage. Joseph cooked before them at a side table most of the
dishes of the dinner, and told me that he did so because he wished to
show actresses and actors, who constantly appeal to the imagination of
their audiences, that there was something also in his art to please the
eye and stimulate the imagination. When I asked why he never went to
the theatre, he told me that he would sooner see six gourmets eating
a well-cooked dinner than watch the finest performance that Madame
Bernhardt and Coquelin could give. Joseph had quite a pretty wit and
facile pen. This was the _jeu d'esprit_ that he once wrote in a young
lady's album:--"C'était la première côtelette qui coûta le plus cher à
l'homme--Dieu en ayant fait une femme." And he wrote for me a little
essay on the duties of a _maître d'hôtel_ that was very sprightly in
style. He was even a greater believer than M. Ritz in the short dinner,
and declared that we in England only tasted our dinners and did not eat
them. Three dishes he considered quite enough for a good dinner, and
this was a tiny feast which he ordered for me on one occasion when I
took a lady to dine at the Savoy:
Public-domain text, read in full here on John Shaqi.
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