Country life -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- Fiction; Mate selection -- Fiction
The first has been that in such times as these a novel dealing with
minor currents of life as they existed before the war is something of an
anachronism. Perhaps it is. In the fourth year of the war, life as it is
depicted in these two novels seems already far away. But what is a
novelist of manners to do, granted the assumption--admittedly
debateable--that he is to go on writing novels at all? He must either
write _about_ the war, in one or other of its far-reaching effects upon
life, or else he must leave it alone altogether. At least, those are the
only alternatives that I have felt to be open to me; and, after having
written one novel with the war as its deliberate climax, I have chosen
the latter. When the war is over, it will be possible to take its
adjustments into account as affecting everyday life, but while it is
going on I do not think it is possible. It looms too big. Minor affairs
would have their values in contrast with it, and truth would suffer.
If further justification were necessary, I think I could find it in the
relief it brings from the heavy weight of the war to turn one's mind to
those happy days in which life presented problems of less appalling
significance than now, and to gain the comforting assurance that those
days will come again. This relief I know to be felt by readers as well
as by writers of fiction.
The second criticism upon which I should like to have my say is that the
life I have depicted in those of my novels whose scenes are laid in the
English country has been for some time a thing of the past, and after
the war may be expected to disappear altogether. My American critics,
kind as most of them are, often seem to accuse me of presenting an
idyllic picture of a state of things which is based upon rotten
foundations, and either of leaving out of account or of deliberately
shutting my eyes to the rottenness.
I should not accept either charge. If it were worth anybody's while to
read through those novels of mine in which the economic conditions of
English landholding are touched upon, I think he would find in the first
place that I have nowhere defended whatever abuses may still attach to
the system, but have frequently satirised them; and in the second place
that economic questions play but a small part in my fictions.
Public-domain text, read in full here on John Shaqi.
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